WASHINGTON — A relentless push by President Donald Trump to reshape Washington‘s cityscape is facing mounting resistance, threatening a slate of transformative monuments intended to cement his legacy in the nation’s capital.

Eager to see his projects completed before leaving office, Trump has responded to growing legal and political obstacles by pushing ahead, attempting to force approvals through faster than opponents can challenge them. But the scramble to fast-track construction has inflated their costs for taxpayers, imperiling his plans and amplifying his political risks as the midterm elections approach.

Urban design has become a preoccupation for Trump since the start of his second term. Cranes dot the skyline of the city, and construction fences block access to many of its most cherished parks and venues less than a month before the nation celebrates 250 years since its founding on July 4.

Government lawyers are defending the president’s use of the wrecking ball, arguing in court that he has unfettered power to build and destroy. Should he ever choose to tear down the Statue of Liberty, the Justice Department told a judge Friday, no one could stop him.

Yet a recent series of legal setbacks, as well as increasing Republican opposition on Capitol Hill, have cast doubt on the fate of his most lavish designs, including the construction of an imposing ballroom at the White House and the erection of a massive triumphal arch on the sightline of the National Mall.

It’s become a race against time for the president, who could soon confront a Democratic-controlled Congress armed with renewed oversight authority and subpoena power, further gumming the works of elaborate construction projects, which could stymie their completion before he leaves office.

“This is very much on the committee’s radar,” said one Democratic source with the House Oversight Committee, citing “serious concerns surrounding corruption.”

Trump as ‘builder-in-chief’

Several of Trump’s more modest initiatives, referred to by the administration as beautification projects, are complete or well underway.

At the White House, a historic rose garden conceived by Jacqueline Kennedy was paved over, and its adjoining colonnade refurbished with black granite and gilded presidential portraits. The Palm Room foyer was decked in marble and chandeliers. New flagpoles fly supersized American flags on the North and South lawns.

The en suite bath of the Lincoln Bedroom in the residence has been gutted and renovated. And the Oval Office now practically drips in gold, while an adjoining study, once used by Franklin Roosevelt to scrutinize war maps and Lyndon Johnson to monitor the space race, was converted into the president’s personal swag shop.

A temporary Ultimate Fighting Championship arena constructed on the White House South Lawn is another example of how Trump is leaving a visual mark on the presidential residence. The structure, which towers over the White House, was paid for by the UFC, which is scheduled to host a series of fights on the premises.

Outside the White House complex, fountains across the city are coming back to life after decades of neglect, from DuPont Circle to Freedom Plaza and Union Station. The idyllic Logan Circle, surrounded by historic mansions, is being revitalized by the National Park Service, as is Lafayette Square, the site of an infamous clash between Trump and protesters shortly after George Floyd’s murder in 2020.

In some parks, even the turf is getting a makeover.

“People are all thanking me because Washington is beautiful again,” Trump told reporters last week. “The parks are open, we changed the grass. You know, grass has a life, also. Like people, grass has a life, and that grass hasn’t changed in 70 or 80 years.”

On Friday morning, several people sat by the restored cascading fountain at Meridian Hill Park. They walked their dogs, read books and exercised by the water.

Jean Luc, 33, was one of them. As he took a stroll with his 2-month-old daughter, Juno, he said it had been nice to see the government fix up the park, which he says he tries to enjoy with his daughter daily.

“It’s been nice to see the whole process,” he said. “I love it.”

The Lincoln Memorial Reflecting Pool has been painted over in “American Flag Blue” by a firm that Trump said had worked on the swimming pool at his golf club in Virginia. Millions will be spent to regild the hulking Art Deco statues that buttress Arlington Memorial Bridge. And Trump has plans to connect the Lincoln Memorial to the Potomac River by building a promenade, one of many projects he has said may be named after himself.

Federal contracting data show that the Virginia firm Terra Site Constructors has been awarded roughly $60 million in contracts from the National Park Service to complete work on the various fountain rehabilitation projects across the city.

Another Virginia firm, Atlantic Industrial Coatings, holds a contract for $14.2 million to paint the reflecting pool.

The funding for both contracts comes from the entrance fees paid by national park visitors.

“How fortunate are we to have the builder in chief?” Interior Secretary Doug Burgum said Thursday in the Oval Office. “Someone who both has the vision and the understanding of how to get projects done that would make our city safe and beautiful.”

‘The finest ballroom anywhere in the world’

Yet other, more controversial projects, exacting irreversible change to capital institutions, are facing greater opposition.

On Thursday, the Kennedy Center for the Performing Arts directed its staff to begin removing Trump’s name from its facade after a judge ruled that the attempted name change, and his effort to close the venue for two years of dramatic renovations, were illegal.

Angered by the court’s decision, Trump directed the Commerce Department to make arrangements to transfer control of the Kennedy Center to Congress. The move would give lawmakers power over the center’s operations, maintenance and management. It was originally an act of Congress that gave the Kennedy Center its name and mandate.

In other areas of the city, preservationists have successfully delayed the president’s bid to paint over the natural gray granite of the Eisenhower Executive Office Building. And Republican lawmakers have refused to vote to fund the construction of a ballroom at the White House that has already laid waste to the East Wing and, if completed, would dwarf the landmark residence.

Construction crews began tearing down the East Wing in October to make way for the 90,000-square-foot facility. Trump, who built a career as a real estate developer, has frequently touted the project, gushing over the sounds of jackhammers and excavation trucks.

“Oh, that’s music to my ears. I love that sound,” Trump told Republican senators at a White House event last fall. “A lot of people don’t like it. When I hear that sound, it reminds me of money.”

The ballroom project was initially expected to cost $200 million, a price that has since doubled. It is being financed by private donors and Trump, who has called it a “gift to the United States.”

“We are building what will be the finest ballroom anywhere in the world,” the president said last month.

More than half of the publicly identified donors of the ballroom projects — 14 of the 27 known corporate contributors — have won new or bigger federal contracts worth more than $50 billion in the six months since construction began, according to a report released by Public Citizen, a watchdog group.

“These giant corporations aren’t funding the Trump ballroom fiasco out of the goodness of their hearts,” said Jon Golinger, a public policy advocate at Public Citizen and author of the report. “They have massive interests before the federal government and they hope to curry favor with, and receive favorable treatment, from the Trump administration.”

The White House has challenged the report’s assertions, saying critics of how the project is being funded are “only people who suffer from a severe and incurable disease known as Trump Derangement Syndrome.”

“President Trump is making the White House beautiful and giving it the glory it deserves at no cost to taxpayers — something everyone should celebrate,” White House spokesman Davis Ingle said in a statement.

The report came out as the ballroom project has faced persistent hurdles in court and Congress.

The National Trust for Historic Preservation sued to stop construction, arguing the administration had not followed the legally required review process and had not secured congressional approval. In March, a federal judge halted aboveground construction, but an appeals court quickly allowed work to resume through June while the case proceeds.

On Friday, the panel heard the case and expressed skepticism about Trump’s push to build the ballroom without congressional approval.

On Capitol Hill, Senate Republicans dropped a proposal to set aside $1 billion in security funding for the ballroom after several GOP senators said it lacked the votes to pass.

Trump has insisted the funding is not necessary to complete the project, though he said it would help secure the complex. Without it, he told reporters last month, “the White House won’t be a very secure place.”

Arc de Trump

The president is also seeking to build a 250-foot-tall “triumphal arch” near Arlington National Cemetery, across the Potomac River at the foot of Memorial Bridge.

Renderings show the arch would be twice the height of the Lincoln Memorial, crowned by a golden statue of Lady Liberty sporting outstretched wings. An observation deck on its roof would offer sweeping views of the city.

Preservationists have criticized the plan as disrupting a sacred sightline between the memorials to Abraham Lincoln and Robert E. Lee, designed as a statement of unity after the Civil War. Even advocates of adding an arch in Washington have criticized the size of Trump’s proposed structure as overbearing. And a group of Vietnam War veterans has sued to try to stop its construction, arguing the project lacks congressional approval and would “dishonor their military and foreign service” because it would block the view of the cemetery.

Despite public opposition, the National Capital Planning Commission last week advanced the project in its review process.

Trump praised the planning commission’s support, saying that “when completed, it will be, without question, the Greatest Arch of them all!”

The president has yet more plans to leave his mark — in some cases with his name, in others with his face.

Transportation Secretary Sean Duffy has proposed a $22-billion overhaul of Dulles International Airport outside the capital that would include a new terminal brandishing Trump’s name. Limited-edition U.S. passports will feature his portrait. And the Treasury has plans to mint a $250 bill featuring Trump’s mugshot from his 2023 Fulton County arrest, pending congressional approval — an unlikely prospect.

In a moment that went viral on social media, Sen. Jon Ossoff (D-Ga.), who is generating buzz over a potential run for the Democratic presidential nomination in 2028, offered a theory on what’s driving the president.

“He’s trying to put his face on the money. He’s building a monument to himself,” Ossoff told a crowd of supporters.

“But see, Atlanta, he’s doing these things now because no one will honor him when he’s gone,” he added, “because he’s a failed president and a national disgrace.”

—Times staff writer Ben Wieder contributed to this report.

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