Let's talk some more about my kerfuffle with the SMSO at Disney
"Our leading media" are characterized by "indefensibly corrupt manipulations of language repeated incessantly."
Patrick Lawrence in The Nation, Aug. 9, 2017, on the media's reporting of the alleged collusion between Donald Trump's campaign and Russia
To understand America's crises today, one must first understand what has happened to two institutions: the university and the news media. They do not regard their mission as educating and informing but indoctrinating.
In this column, I will focus on the media. I will dissect one issue that I know extremely well (and have spoken about at length in my column twice before): the national and local coverage of the invitation extended to me to guest-conduct the Santa Monica Symphony Orchestra at the Walt Disney Concert Hall in Los Angeles. The concert took place last week.
I am well aware that this event is far less significant than many other issues. But every aspect of the reporting of this issue applies to virtually every issue the media cover. Therefore, understanding how The New York Times, the Los Angeles Times and NPR covered my story leads to an almost-perfect understanding of how the media cover every story where the left has a vested interest.
When it comes to straight news stories -- say, an earthquake in Central America -- the news media often do their job responsibly. But when a story has a left-wing interest, the media abandon straight news reporting and take on the role of advocates.
As I explained in detail in a previous column, the board of directors of the Santa Monica Symphony Orchestra and its conductor, Guido Lamell, invited me to guest-conduct a Haydn symphony at the Walt Disney Concert Hall. I have conducted regional orchestras in Southern California over the last 20 years.
Sometime thereafter, four members of the orchestra published a letter asking their fellow musicians not to perform, claiming, "Dennis Prager is a right-wing radio host who promotes horribly bigoted positions." They were joined by former Santa Monica Mayor Kevin McKeown, who announced, "I personally will most certainly not be attending a concert featuring a bigoted hate-monger," among others.
Then, The New York Times decided to write a piece on the controversy.
The first question is why? Why would the Times write about a controversy begun by a few members of a community orchestra in California?