The 14 TV shows we're most excited for this summer

Meredith Blake, Greg Braxton, Matt Brennan, Tracy Brown, Maira Garcia, Ashley Lee, Robert Lloyd, Mary McNamara and Yvonne Villarreal, Los Angeles Times on

Published in Entertainment News

Summer is the best time to catch up on television, and fortunately, there are plenty of series, new and returning, to keep you entertained when it gets too hot to lounge at the beach or pool. However, it means you’ll have to say goodbye to at least one show, but you’ll also get to say hello to a couple revivals, some mystery miniseries and documentary series (and a film) that take a closer look at notable subjects such as Celine Dion, Black artists in Hollywood and that beloved ’70s music genre, disco.

‘Evil’ (Paramount+, May 23)

Since premiering in 2019, Robert and Michelle King’s wickedly inventive procedural, in which a psychologist (Katja Herbers), a priest (Mike Colter) and a tech whiz (Aasif Mandvi) team up to investigate supernatural phenomena for the Catholic Church, has wholly adopted the pair’s penchant for mischief. Combining genre conventions, topical plots and absurdist humor, the series has embraced aesthetic risks that would make most “prestige” dramas blanch, with crucial scenes unfolding inside an “Animal Crossing”-like game and a near-silent episode set at an upstate New York monastery; and deftly handled such thorny subjects as medical racism, labor exploitation and the scourge of social media. That it will end after this season, its fourth, is at once devastating and unsurprising: The most audacious series on television since the Kings concluded “The Good Fight” in 2022, “Evil” is quite simply too good for this world. — Matt Brennan

‘Eric’ (Netflix, May 30)

It’s every parent’s worst nightmare — your child goes missing without a trace. That’s the premise of this miniseries, which is set in gritty 1980s New York. “Eric” follows married couple Vincent (Benedict Cumberbatch) and Cassie (Gaby Hoffmann), who are trying to find their son Edgar (Ivan Howe), and NYPD Det. Michael Ledroit (McKinley Belcher III), who is investigating the boy’s disappearance while battling his own issues. Vincent is a puppeteer who helms a “Sesame Street”-like show called “Good Day Sunshine,” and he convinces himself that he’ll find Edgar by getting a blue monster puppet, based on Edgar’s drawings, on TV. It may sound strange, but it’s an intriguing take on a mystery with lots of twists. — Maira Garcia

‘Disco: Soundtrack of a Revolution’ (PBS.org and app, June 1; PBS, June 18)


I’m a sucker for nostalgic music documentaries and any kind of revisionist history about unfairly maligned cultural phenomena, which is why I can’t wait for “Disco,” a three-part series — streaming June 1 online and airing weekly beginning June 18 — tracing the rise, fall and enduring legacy of one of pop music’s most joyful and most misunderstood genres. A BBC Studios production for PBS, this documentary looks at how disco, which came to be associated with mainstream white artists like the Bee Gees, actually originated in queer, Black and Latino communities in 1970s New York and rose in tandem with the liberation movements of the era. “Disco” also explores the virulent backlash, which was fueled by aggrieved white, heterosexual American men who saw its cultural dominance as a threat to their guitar-shredding way of life. Bring your boogie shoes — and your thinking caps. — Meredith Blake

‘Orphan Black: Echoes’ (AMC, AMC+ and BBC America, June 23)

#CloneClub, it’s been a while. Seven years after the original “Orphan Black” ended its five-season run, “Echoes” is here to pull you into a new clone conspiracy. Set some time in the near future, the 10-episode series stars Krysten Ritter as Lucy, a woman who possibly emerged from a vat of pink goo with no memories of who she is (or so the trailer suggests). Much like the flagship series, “Echoes” will see Lucy and others have to navigate what it all means after they start to unravel the truth about their origins. The original “Orphan Black” is best known for the Emmy-winning performance of Tatiana Maslany, who depicted more than 10 clones over the course of the series. But the show was resonant because of its exploration of humanity, identity, agency, mortality, religion and science. As politicians continue to write legislation restricting bodily autonomy and debates around technology like artificial intelligence intensify, a show that can carry the torch from “Orphan Black” feels more needed than ever. — Tracy Brown

‘I Am: Celine Dion’ (Prime Video, June 25)


swipe to next page

©2024 Los Angeles Times. Visit at latimes.com. Distributed by Tribune Content Agency, LLC.


blog comments powered by Disqus