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The Notebooks of Leonardo Da Vinci, Complete

Leonardo Da Vinci

Section 22 of 32 - Table of Contents
991.

And if you choose to say that it was the deluge which carried these
shells away from the sea for hundreds of miles, this cannot have
happened, since that deluge was caused by rain; because rain
naturally forces the rivers to rush towards the sea with all the
things they carry with them, and not to bear the dead things of the
sea shores to the mountains. And if you choose to say that the
deluge afterwards rose with its waters above the mountains, the
movement of the sea must have been so sluggish in its rise against
the currents of the rivers, that it could not have carried, floating
upon it, things heavier than itself; and even if it had supported
them, in its receding it would have left them strewn about, in
various spots. But how are we to account for the corals which are
found every day towards Monte Ferrato in Lombardy, with the holes of
the worms in them, sticking to rocks left uncovered by the currents
of rivers? These rocks are all covered with stocks and families of
oysters, which as we know, never move, but always remain with one of
their halves stuck to a rock, and the other they open to feed
themselves on the animalcules that swim in the water, which, hoping
to find good feeding ground, become the food of these shells. We do
not find that the sand mixed with seaweed has been petrified,
because the weed which was mingled with it has shrunk away, and this
the Po shows us every day in the debris of its banks.

Other problems (992-994).

992.

Why do we find the bones of great fishes and oysters and corals and
various other shells and sea-snails on the high summits of mountains
by the sea, just as we find them in low seas?

993.

You now have to prove that the shells cannot have originated if not
in salt water, almost all being of that sort; and that the shells in
Lombardy are at four levels, and thus it is everywhere, having been
made at various times. And they all occur in valleys that open
towards the seas.

994.

>From the two lines of shells we are forced to say that the earth
indignantly submerged under the sea and so the first layer was made;
and then the deluge made the second.

[Footnote: This note is in the early writing of about 1470--1480. On
the same sheet are the passages No. 1217 and 1219. Compare also No.
1339. All the foregoing chapters are from Manuscripts of about 1510.
This explains the want of connection and the contradiction between
this and the foregoing texts.]

VII.

ON THE ATMOSPHERE.

Constituents of the atmosphere.

995.

That the brightness of the air is occasioned by the water which has
dissolved itself in it into imperceptible molecules. These, being
lighted by the sun from the opposite side, reflect the brightness
which is visible in the air; and the azure which is seen in it is
caused by the darkness that is hidden beyond the air. [Footnote:
Compare Vol. I, No. 300.]

On the motion of air (996--999).

996.

That the return eddies of wind at the mouth of certain valleys
strike upon the waters and scoop them out in a great hollow, whirl
the water into the air in the form of a column, and of the colour of
a cloud. And I saw this thing happen on a sand bank in the Arno,
where the sand was hollowed out to a greater depth than the stature
of a man; and with it the gravel was whirled round and flung about
for a great space; it appeared in the air in the form of a great
bell-tower; and the top spread like the branches of a pine tree, and
then it bent at the contact of the direct wind, which passed over
from the mountains.

997.

The element of fire acts upon a wave of air in the same way as the
air does on water, or as water does on a mass of sand --that is
earth; and their motions are in the same proportions as those of the
motors acting upon them.

998.

OF MOTION.

I ask whether the true motion of the clouds can be known by the
motion of their shadows; and in like manner of the motion of the
sun.

999.

To know better the direction of the winds. [Footnote: In connection
with this text I may here mention a hygrometer, drawn and probably
invented by Leonardo. A facsimile of this is given in Vol. I, p. 297
with the note: _'Modi di pesare l'arie eddi sapere quando s'a
arrompere il tepo'_ (Mode of weighing the air and of knowing when
the weather will change); by the sponge _"Spugnea"_ is written.]

The globe an organism.

1000.

Nothing originates in a spot where there is no sentient, vegetable
and rational life; feathers grow upon birds and are changed every
year; hairs grow upon animals and are changed every year, excepting
some parts, like the hairs of the beard in lions, cats and their
like. The grass grows in the fields, and the leaves on the trees,
and every year they are, in great part, renewed. So that we might
say that the earth has a spirit of growth; that its flesh is the
soil, its bones the arrangement and connection of the rocks of which
the mountains are composed, its cartilage the tufa, and its blood
the springs of water. The pool of blood which lies round the heart
is the ocean, and its breathing, and the increase and decrease of
the blood in the pulses, is represented in the earth by the flow and
ebb of the sea; and the heat of the spirit of the world is the fire
which pervades the earth, and the seat of the vegetative soul is in
the fires, which in many parts of the earth find vent in baths and
mines of sulphur, and in volcanoes, as at Mount Aetna in Sicily, and
in many other places.

[Footnote: Compare No. 929.]

_XVII._

_Topographical Notes._

_A large part of the texts published in this section might perhaps
have found their proper place in connection with the foregoing
chapters on Physical Geography. But these observations on Physical
Geography, of whatever kind they may be, as soon as they are
localised acquire a special interest and importance and particularly
as bearing on the question whether Leonardo himself made the
observations recorded at the places mentioned or merely noted the
statements from hearsay. In a few instances he himself tells us that
he writes at second hand. In some cases again, although the style
and expressions used make it seem highly probable that he has
derived his information from others-- though, as it seems to me,
these cases are not very numerous--we find, on the other hand, among
these topographical notes a great number of observations, about
which it is extremely difficult to form a decided opinion. Of what
the Master's life and travels may have been throughout his
sixty-seven years of life we know comparatively little; for a long
course of time, and particularly from about 1482 to 1486, we do not
even know with certainty that he was living in Italy. Thus, from a
biographical point of view a very great interest attaches to some of
the topographical notes, and for this reason it seemed that it would
add to their value to arrange them in a group by themselves.
Leonardo's intimate knowledge with places, some of which were
certainly remote from his native home, are of importance as
contributing to decide the still open question as to the extent of
Leonardo's travels. We shall find in these notes a confirmation of
the view, that the MSS. in which the Topographical Notes occur are
in only a very few instances such diaries as may have been in use
during a journey. These notes are mostly found in the MSS. books of
his later and quieter years, and it is certainly remarkable that
Leonardo is very reticent as to the authorities from whom he quotes
his facts and observations: For instance, as to the Straits of
Gibraltar, the Nile, the Taurus Mountains and the Tigris and
Euphrates. Is it likely that he, who declared that in all scientific
research, his own experience should be the foundation of his
statements (see XIX Philosophy No. 987--991,) should here have made
an exception to this rule without mentioning it?_

_As for instance in the discussion as to the equilibrium of the mass
of water in the Mediterranean Sea--a subject which, it may be
observed, had at that time attracted the interest and study of
hardly any other observer. The acute remarks, in Nos. 985--993, on
the presence of shells at the tops of mountains, suffice to
prove--as it seems to me--that it was not in his nature to allow
himself to be betrayed into wide generalisations, extending beyond
the limits of his own investigations, even by such brilliant results
of personal study._

_Most of these Topographical Notes, though suggesting very careful
and thorough research, do not however, as has been said, afford
necessarily indisputable evidence that that research was Leonardo's
own. But it must be granted that in more than one instance
probability is in favour of this idea._

_Among the passages which treat somewhat fully of the topography of
Eastern places by far the most interesting is a description of the
Taurus Mountains; but as this text is written in the style of a
formal report and, in the original, is associated with certain
letters which give us the history of its origin, I have thought it
best not to sever it from that connection. It will be found under
No. XXI (Letters)._

_That Florence, and its neighbourhood, where Leonardo spent his
early years, should be nowhere mentioned except in connection with
the projects for canals, which occupied his attention for some short
time during the first ten years of the XVIth century, need not
surprise us. The various passages relating to the construction of
canals in Tuscany, which are put together at the beginning, are
immediately followed by those which deal with schemes for canals in
Lombardy; and after these come notes on the city and vicinity of
Milan as well as on the lakes of North Italy._

_The notes on some towns of Central Italy which Leonardo visited in
1502, when in the service of Cesare Borgia, are reproduced here in
the same order as in the note book used during these travels (MS.
L., Institut de France). These notes have but little interest in
themselves excepting as suggesting his itinerary. The maps of the
districts drawn by Leonardo at the time are more valuable (see No.
1054 note). The names on these maps are not written from right to
left, but in the usual manner, and we are permitted to infer that
they were made in obedience to some command, possibly for the use of
Cesare Borgia himself; the fact that they remained nevertheless in
Leonardo's hands is not surprising when we remember the sudden
political changes and warlike events of the period. There can be no
doubt that these maps, which are here published for the first time,
are original in the strictest sense of the word, that is to say
drawn from observations of the places themselves; this is proved by
the fact--among others--that we find among his manuscripts not only
the finished maps themselves but the rough sketches and studies for
them. And it would perhaps be difficult to point out among the
abundant contributions to geographical knowledge published during
the XVIth century, any maps at all approaching these in accuracy and
finish._

_The interesting map of the world, so far as it was then known,
which is among the Leonardo MSS. at Windsor (published in the_
'Archaeologia' _Vol. XI) cannot be attributed to the Master, as the
Marchese Girolamo d'Adda has sufficiently proved; it has not
therefore been reproduced here._

_Such of Leonardo's observations on places in Italy as were made
before or after his official travels as military engineer to Cesare
Borgia, have been arranged in alphabetical order, under Nos.
1034-1054. The most interesting are those which relate to the Alps
and the Appenines, Nos. 1057-1068._

_Most of the passages in which France is mentioned have hitherto
remained unknown, as well as those which treat of the countries
bordering on the Mediterranean, which come at the end of this
section. Though these may be regarded as of a more questionable
importance in their bearing on the biography of the Master than
those which mention places in France, it must be allowed that they
are interesting as showing the prominent place which the countries
of the East held in his geographical studies. He never once alludes
to the discovery of America._

I.

ITALY.

Canals in connection with the Arno (1001-1008).

1001.

CANAL OF FLORENCE.

Sluices should be made in the valley of la Chiana at Arezzo, so that
when, in the summer, the Arno lacks water, the canal may not remain
dry: and let this canal be 20 braccia wide at the bottom, and at the
top 30, and 2 braccia deep, or 4, so that two of these braccia may
flow to the mills and the meadows, which will benefit the country;
and Prato, Pistoia and Pisa, as well as Florence, will gain two
hundred thousand ducats a year, and will lend a hand and money to
this useful work; and the Lucchese the same, for the lake of Sesto
will be navigable; I shall direct it to Prato and Pistoia, and cut
through Serravalle and make an issue into the lake; for there will
be no need of locks or supports, which are not lasting and so will
always be giving trouble in working at them and keeping them up.

And know that in digging this canal where it is 4 braccia deep, it
will cost 4 dinari the square braccio; for twice the depth 6 dinari,
if you are making 4 braccia [Footnote: This passage is illustrated
by a slightly sketched map, on which these places are indicated from
West to East: Pisa, Luccha, Lago, Seravalle, Pistoja, Prato,
Firenze.] and there are but 2 banks; that is to say one from the
bottom of the trench to the surface of the edges of it, and the
other from these edges to the top of the ridge of earth which will
be raised on the margin of the bank. And if this bank were of double
the depth only the first bank will be increased, that is 4 braccia
increased by half the first cost; that is to say that if at first 4
dinari were paid for 2 banks, for 3 it would come to 6, at 2 dinari
the bank, if the trench measured 16 braccia at the bottom; again, if
the trench were 16 braccia wide and 4 deep, coming to 4 lire for the
work, 4 Milan dinari the square braccio; a trench which was 32
braccia at the bottom would come to 8 dinari the square braccio.

1002.

>From the wall of the Arno at [the gate of] la Giustizia to the bank
of the Arno at Sardigna where the walls are, to the mills, is 7400
braccia, that is 2 miles and 1400 braccia and beyond the Arno is
5500 braccia.

[Footnote: 2. _Giustizia_. By this the Porta della Giustizia seems
to be meant; from the XVth to the XVIth centuries it was also
commonly known as Porta Guelfa, Porta San Francesco del Renaio,
Porta Nuova, and Porta Reale. It was close to the Arno opposite to
the Porta San Niccolo, which still exists.]

1003.

By guiding the Arno above and below a treasure will be found in each
acre of ground by whomsoever will.

1004.

The wall of the old houses runs towards the gate of San Nicolo.

[Footnote: By the side of this text there is an indistinct sketch,
resembling that given under No.973. On the bank is written the word
_Casace_. There then follows in the original a passage of 12 lines
in which the consequences of the windings of the river are
discussed. A larger but equally hasty diagram on the same page
represents the shores of the Arno inside Florence as in two parallel
lines. Four horizontal lines indicate the bridges. By the side these
measures are stated in figures: I. (at the Ponte alla Carraja):
_230--largho br. 12 e 2 di spoda e 14 di pile e a 4 pilastri;_ 2.
(at the Ponte S. Trinita); _l88--largho br. 15 e 2 di spode he 28
di pilastri for delle spode e pilastri so 2;_ 3. (at the Ponte
vecchio); _pote lung br. 152 e largo;_ 4. (at the Ponte alle
Grazie): _290 ellargo 12 e 2 di spode e 6 di pili._

There is, in MS. W. L. 2l2b, a sketched plan of Florence, with the
following names of gates:
_Nicholo--Saminiato--Giorgo--Ghanolini--Porta San Fredian
--Prato--Faenza--Ghallo--Pinti--Giustitia_.]

1005.

The ruined wall is 640 braccia; 130 is the wall remaining with the
mill; 300 braccia were broken in 4 years by Bisarno.

1006.

They do not know why the Arno will never remain in a channel. It is
because the rivers which flow into it deposit earth where they
enter, and wear it away on the opposite side, bending the river in
that direction. The Arno flows for 6 miles between la Caprona and
Leghorn; and for 12 through the marshes, which extend 32 miles, and
16 from La Caprona up the river, which makes 48; by the Arno from
Florence beyond 16 miles; to Vico 16 miles, and the canal is 5; from
Florence to Fucechio it is 40 miles by the river Arno.

56 miles by the Arno from Florence to Vico; by the Pistoia canal it
is 44 miles. Thus it is 12 miles shorter by the canal than by the
Arno.

[Footnote: This passage is written by the side of a map washed in
Indian ink, of the course of the Arno; it is evidently a sketch for
a completer map.

These investigations may possibly be connected with the following
documents. _Francesco Guiducci alla Balia di Firenze. Dal Campo
contro Pisa_ 24 _Luglio_ 1503 (_Archivio di Stato, Firenze, Lettere
alla Balia_; published by J. GAYE, _Carteggio inedito d'Artisti,
Firenze_ 1840, _Tom. II_, p. 62): _Ex Castris, Franciscus
Ghuiduccius,_ 24. _Jul._ 1503. _Appresso fu qui hieri con una di V.
Signoria Alexandro degli Albizi insieme con Leonardo da Vinci et
certi altri, et veduto el disegno insieme con el ghovernatore, doppo
molte discussioni et dubii conclusesi che l'opera fussi molto al
proposito, o si veramente Arno volgersi qui, o restarvi con un
canale, che almeno vieterebbe che le colline da nemici non
potrebbono essere offese; come tucto referiranno loro a bocha V. S._

And, _Archivio di Stato, Firenze, Libro d'Entrata e Uscita di cassa
de' Magnifici Signori di luglio e agosto_

1503 _a_ 51 _T.: Andata di Leonardo al Campo sotto Pisa. Spese
extraordinarie dieno dare a di XXVI di luglio L. LVI sol. XII per
loro a Giovanni Piffero; e sono per tanti, asegnia avere spexi in
vetture di sei chavalli a spese di vitto per andare chon Lionardo da
Vinci a livellare Arno in quello di Pisa per levallo del lilo suo._
(Published by MILANESI, _Archivio Storico Italiano, Serie III, Tom.
XVI._} VASARI asserts: _(Leonardo) fu il primo ancora, che
giovanetto discorresse sopra il fiume d'Arno per metterlo in canale
da Pisa a Fiorenza_ (ed. SANSONI, IV, 20).

The passage above is in some degree illustrated by the map on Pl.
CXII, where the course of the Arno westward from Empoli is shown.]

1007.

The eddy made by the Mensola, when the Arno is low and the Mensola
full.

[Footnote: _Mensola_ is a mountain stream which falls into the Arno
about a mile and a half above Florence.

A=Arno, I=Isola, M=Mvgone, P=Pesa, N=Mesola.]

1008.

That the river which is to be turned from one place to another must
be coaxed and not treated roughly or with violence; and to do this a
sort of floodgate should be made in the river, and then lower down
one in front of it and in like manner a third, fourth and fifth, so
that the river may discharge itself into the channel given to it, or
that by this means it may be diverted from the place it has damaged,
as was done in Flanders--as I was told by Niccolo di Forsore.

How to protect and repair the banks washed by the water, as below
the island of Cocomeri.

Ponte Rubaconte (Fig. 1); below [the palaces] Bisticci and Canigiani
(Fig. 2). Above the flood gate of la Giustizia (Fig. 3); _a b_ is a
sand bank opposite the end of the island of the Cocomeri in the
middle of the Arno (Fig. 4). [Footnote: The course of the river Arno
is also discussed in Nos. 987 and 988.]

Canals in the Milanese (1009-1013).

1009.

The canal of San Cristofano at Milan made May 3rd 1509. [Footnote:
This observation is written above a washed pen and ink drawing which
has been published as Tav. VI in the _,,Saggio."_ The editors of
that work explain the drawing as _"uno Studio di bocche per
estrazione d'acqua."_]

1010.

OF THE CANAL OF MARTESANA.

By making the canal of Martesana the water of the Adda is greatly
diminished by its distribution over many districts for the
irrigation of the fields. A remedy for this would be to make several
little channels, since the water drunk up by the earth is of no more
use to any one, nor mischief neither, because it is taken from no
one; and by making these channels the water which before was lost
returns again and is once more serviceable and useful to men.

[Footnote: _"el navilio di Martagano"_ is also mentioned in a note
written in red chalk, MS. H2 17a Leonardo has, as it seems, little
to do with Lodovico il Moro's scheme to render this canal navigable.
The canal had been made in 1460 by Bertonino da Novara. Il Moro
issued his degree in 1493, but Leonardo's notes about this canal
were, with the exception of one (No. 1343), written about sixteen
years later.]

1011.

No canal which is fed by a river can be permanent if the river
whence it originates is not wholly closed up, like the canal of
Martesana which is fed by the Ticino.

1012.

>From the beginning of the canal to the mill.

>From the beginning of the canal of Brivio to the mill of Travaglia
is 2794 trabochi, that is 11176 braccia, which is more than 3 miles
and two thirds; and here the canal is 57 braccia higher than the
surface of the water of the Adda, giving a fall of two inches in
every hundred trabochi; and at that spot we propose to take the
opening of our canal.

[Footnote: The following are written on the sketches: At the place
marked _N: navilio da dacquiue_ (canal of running water); at _M:
molin del Travaglia_ (Mill of Travaglia); at _R: rochetta ssanta
maria_ (small rock of Santa Maria); at _A: Adda;_ at _L: Lagho di
Lecho ringorgato alli 3 corni in Adda,--Concha perpetua_ (lake of
Lecco overflowing at Tre Corni, in Adda,-- a permanent sluice). Near
the second sketch, referring to the sluice near _Q: qui la chatena
ttalie d'u peso_ (here the chain is in one piece). At _M_ in the
lower sketch: _mol del travaglia, nel cavare la concha il tereno
ara chotrapero co cassa d'acqua._ (Mill of Travaglia, in digging
out the sluice the soil will have as a counterpoise a vessel of
water).]

1013.

If it be not reported there that this is to be a public canal, it
will be necessary to pay for the land; [Footnote 3: _il re_. Louis
XII or Francis I of France. It is hardly possible to doubt that the
canals here spoken of were intended to be in the Milanese. Compare
with this passage the rough copy of a letter by Leonardo, to the
_"Presidente dell' Ufficio regolatore dell' acqua"_ on No. 1350. See
also the note to No. 745, 1. 12.] and the king will pay it by
remitting the taxes for a year.

Estimates and preparatory studies for canals (1014. 1015).

1014.

CANAL.

The canal which may be 16 braccia wide at the bottom and 20 at the
top, we may say is on the average 18 braccia wide, and if it is 4
braccia deep, at 4 dinari the square braccia; it will only cost 900
ducats, to excavate by the mile, if the square braccio is calculated
in ordinary braccia; but if the braccia are those used in measuring
land, of which every 4 are equal to 4 1/2 and if by the mile we
understand three thousand ordinary braccia; turned into land
braccia, these 3000 braccia will lack 1/4; there remain 2250
braccia, which at 4 dinari the braccio will amount to 675 ducats a
mile. At 3 dinari the square braccio, the mile will amount to 506
1/4 ducats so that the excavation of 30 miles of the canal will
amount to 15187 1/2 ducats.

1015.

To make the great canal, first make the smaller one and conduct into
it the waters which by a wheel will help to fill the great one.

Notes on buildings in Milan (1016-1019)

1016.

Indicate the centre of Milan.

Moforte--porta resa--porta nova--strada nova--navilio--porta
cumana--barco--porta giovia--porta vercellina--porta sco
Anbrogio--porta Tesinese--torre dell' Imperatore-- porta
Lodovica--acqua.

[Footnote: See Pl. CIX. The original sketch is here reduced to about
half its size. The gates of the town are here named, beginning at
the right hand and following the curved line. In the bird's eye view
of Milan below, the cathedral is plainly recognisable in the middle;
to the right is the tower of San Gottardo. The square, above the
number 9147, is the Lazzaretto, which was begun in 1488. On the left
the group of buildings of the _'Castello'_ will be noticed. On the
sketched Plan of Florence (see No. 1004 note) Leonardo has written
on the margin the following names of gates of Milan: Vercellina
--Ticinese--Ludovica--Romana--Orientale--
Nova--Beatrice--Cumana--Compare too No. 1448, 11. 5, 12.]

1017.

The moat of Milan.

Canal 2 braccia wide.

The castle with the moats full.

The filling of the moats of the Castle of Milan.

1018.

THE BATH.

To heat the water for the stove of the Duchess take four parts of
cold water to three parts of hot water.

[Footnote: _Duchessa di Milano_, Beatrice d'Este, wife of Ludovico
il Moro to whom she was married, in 1491. She died in June 1497.]

1019.

In the Cathedral at the pulley of the nail of the cross.

Item.

To place the mass _v r_ in the...

[Footnote: On this passage AMORETTI remarks _(Memorie Storiche_
chap. IX): _Nell'anno stesso lo veggiamo formare un congegno di
carucole e di corde, con cui trasportare in piu venerabile e piu
sicuro luogo, cioe nell'ultima arcata della nave di mezzo della
metropolitana, la sacra reliquia del Santo Chiodo, che ivi ancor si
venera. Al fol. 15 del codice segnato Q. R. in 16, egli ci ha
lasciata di tal congegno una doppia figura, cioe una di quattro
carucole, e una di tre colle rispettive corde, soggiugnandovi: in
Domo alla carucola del Chiodo della Croce._

AMORETTI'S views as to the mark on the MS, and the date when it was
written are, it may be observed, wholly unfounded. The MS. L, in
which it occurs, is of the year 1502, and it is very unlikely that
Leonardo was in Milan at that time; this however would not prevent
the remark, which is somewhat obscure, from applying to the
Cathedral at Milan.]

1020.

OF THE FORCE OF THE VACUUM FORMED IN A MOMENT.

I saw, at Milan, a thunderbolt fall on the tower della Credenza on
its Northern side, and it descended with a slow motion down that
side, and then at once parted from that tower and carried with it
and tore away from that wall a space of 3 braccia wide and two deep;
and this wall was 4 braccia thick and was built of thin and small
old bricks; and this was dragged out by the vacuum which the flame
of the thunderbolt had caused, &c.

[Footnote: With reference to buildings at Milan see also Nos. 751
and 756, and Pl. XCV, No. 2 (explained on p. 52), Pl. C (explained
on pages 60-62). See also pages 25, 39 and 40.]

Remarks on natural phenomena in and near Milan (1021. 1022).

1021.

I have already been to see a great variety (of atmospheric effects).
And lately over Milan towards Lago Maggiore I saw a cloud in the
form of an immense mountain full of rifts of glowing light, because
the rays of the sun, which was already close to the horizon and red,
tinged the cloud with its own hue. And this cloud attracted to it
all the little clouds that were near while the large one did not
move from its place; thus it retained on its summit the reflection
of the sunlight till an hour and a half after sunset, so immensely
large was it; and about two hours after sunset such a violent wind
arose, that it was really tremendous and unheard of.

[Footnote: _di arie_ is wanting in the original but may safely be
inserted in the context, as the formation of clouds is under
discussion before this text.]

1022.

On the 10th day of December at 9 o'clock a. m. fire was set to the
place.

On the l8th day of December 1511 at 9 o'clock a. m. this second fire
was kindled by the Swiss at Milan at the place called DCXC.
[Footnote: With these two texts, (l. 1--2 and l. 3--5 are in the
original side by side) there are sketches of smoke wreaths in red
chalk.]

Note on Pavia.

1023.

The chimneys of the castle of Pavia have 6 rows of openings and from
each to the other is one braccio.

[Footnote: Other notes relating to Pavia occur on p. 43 and p. 53
(Pl. XCVIII, No. 3). Compare No. 1448, 26.]

Notes on the Sforzesca near Vigevano (1024-1028).

1024.

On the 2nd day of February 1494. At Sforzesca I drew twenty five
steps, 2/3 braccia to each, and 8 braccia wide.

[Footnote: See Pl. CX, No. 2. The rest of the notes on this page
refer to the motion of water. On the lower sketch we read: 4 _br._
(four braccia) and _giara_ (for _ghiaja_, sand, gravel).]

1025.

The vineyards of Vigevano on the 20th day of March 1494.

[Footnote: On one side there is an effaced sketch in red chalk.]

1026.

To lock up a butteris at Vigevano.

1027.

Again if the lowest part of the bank which lies across the current
of the waters is made in deep and wide steps, after the manner of
stairs, the waters which, in their course usually fall
perpendicularly from the top of such a place to the bottom, and wear
away the foundations of this bank can no longer descend with a blow
of too great a force; and I find the example of this in the stairs
down which the water falls in the fields at Sforzesca at Vigevano
over which the running water falls for a height of 50 braccia.

1028.

Stair of Vigevano below La Sforzesca, 130 steps, 1/4 braccio high
and 1/2 braccio wide, down which the water falls, so as not to wear
away anything at the end of its fall; by these steps so much soil
has come down that it has dried up a pool; that is to say it has
filled it up and a pool of great depth has been turned into meadows.

Notes on the North Italian lake. (1029-1033)

1029.

In many places there are streams of water which swell for six hours
and ebb for six hours; and I, for my part, have seen one above the
lake of Como called Fonte Pliniana, which increases and ebbs, as I
have said, in such a way as to turn the stones of two mills; and
when it fails it falls so low that it is like looking at water in a
deep pit.

[Footnote: The fountain is known by this name to this day: it is
near Torno, on the Eastern shore of Como. The waters still rise and
fall with the flow and ebb of the tide as Pliny described it (Epist.
IV, 30; Hist. Nat. II, 206).]

1030.

LAKE OF COMO. VALLEY OF CHIAVENNA.

Above the lake of Como towards Germany is the valley of Chiavenna
where the river Mera flows into this lake. Here are barren and very
high mountains, with huge rocks. Among these mountains are to be
found the water-birds called gulls. Here grow fir trees, larches and
pines. Deer, wildgoats, chamois, and terrible bears. It is
impossible to climb them without using hands and feet. The peasants
go there at the time of the snows with great snares to make the
bears fall down these rocks. These mountains which very closely
approach each other are parted by the river. They are to the right
and left for the distance of 20 miles throughout of the same nature.
>From mile to mile there are good inns. Above on the said river there
are waterfalls of 400 braccia in height, which are fine to see; and
there is good living at 4 soldi the reckoning. This river brings
down a great deal of timber.

VAL SASINA.

Val Sasina runs down towards Italy; this is almost the same form and
character. There grow here many _mappello_ and there are great ruins
and falls of water [Footnote 14: The meaning of _mappello_ is
unknown.].

VALLEY OF INTROZZO.

This valley produces a great quantity of firs, pines and larches;
and from here Ambrogio Fereri has his timber brought down; at the
head of the Valtellina are the mountains of Bormio, terrible and
always covered with snow; marmots (?) are found there.

BELLAGGIO.

Opposite the castle Bellaggio there is the river Latte, which falls
from a height of more than 100 braccia from the source whence it
springs, perpendicularly, into the lake with an inconceivable roar
and noise. This spring flows only in August and September.

VALTELLINA.

Valtellina, as it is called, is a valley enclosed in high and
terrible mountains; it produces much strong wine, and there is so
much cattle that the natives conclude that more milk than wine grows
there. This is the valley through which the Adda passes, which first
runs more than 40 miles through Germany; this river breeds the fish
_temolo_ which live on silver, of which much is to be found in its
sands. In this country every one can sell bread and wine, and the
wine is worth at most one soldo the bottle and a pound of veal one
soldo, and salt ten dinari and butter the same and their pound is 30
ounces, and eggs are one soldo the lot.

1031.

At BORMIO.

At Bormio are the baths;--About eight miles above Como is the
Pliniana, which increases and ebbs every six hours, and its swell
supplies water for two mills; and its ebbing makes the spring dry
up; two miles higher up there is Nesso, a place where a river falls
with great violence into a vast rift in the mountain. These
excursions are to be made in the month of May. And the largest bare
rocks that are to be found in this part of the country are the
mountains of Mandello near to those of Lecco, and of Gravidona
towards Bellinzona, 30 miles from Lecco, and those of the valley of
Chiavenna; but the greatest of all is that of Mandello, which has at
its base an opening towards the lake, which goes down 200 steps, and
there at all times is ice and wind.

IN VAL SASINA.

In Val Sasina, between Vimognio and Introbbio, to the right hand,
going in by the road to Lecco, is the river Troggia which falls from
a very high rock, and as it falls it goes underground and the river
ends there. 3 miles farther we find the buildings of the mines of
copper and silver near a place called Pra' Santo Pietro, and mines
of iron and curious things. La Grigna is the highest mountain there
is in this part, and it is quite bare.

[Footnote: 1030 and 1031. From the character of the handwriting we
may conclude that these observations were made in Leonardo's youth;
and I should infer from their contents, that they were notes made in
anticipation of a visit to the places here described, and derived
from some person (unknown to us) who had given him an account of
them.]

1032.

The lake of Pusiano flows into the lake of Segrino [Footnote 3: The
statement about the lake Segrino is incorrect; it is situated in the
Valle Assina, above the lake of Pusiano.] and of Annone and of Sala.
The lake of Annone is 22 braccia higher at the surface of its water
than the surface of the water of the lake of Lecco, and the lake of
Pusiano is 20 braccia higher than the lake of Annone, which added to
the afore said 22 braccia make 42 braccia and this is the greatest
height of the surface of the lake of Pusiano above the surface of
the lake of Lecco.

[Footnote: This text has in the original a slight sketch to
illustrate it.]

1033.

At Santa Maria in the Valley of Ravagnate [Footnote 2: _Ravagnate_
(Leonardo writes _Ravagna_) in the Brianza is between Oggiono and
Brivio, South of the lake of Como. M. Ravaisson avails himself of
this note to prove his hypothesis that Leonardo paid two visits to
France. See Gazette des Beaux Arts, 1881 pag. 528:

_Au recto du meme feuillet, on lit encore une note relative a une
vallee "nemonti brigatia"; il me semble qu'il s'agit bien des monts
de Briancon, le Brigantio des anciens. Briancon est sur la route de
Lyon en Italie. Ce fut par le mont Viso que passerent, en aout 1515,
les troupes francaises qui allaient remporter la victoire de
Marignan.

Leonard de Vinci, ingenieur de Francois Ier, comme il l'avait ete de
Louis XII, aurait-il ete pour quelque chose dans le plan du celebre
passage des Alpes, qui eut lieu en aout 1515, et a la suite duquel
on le vit accompagner partout le chevaleresque vainqueur? Auraitil
ete appele par le jeune roi, de Rome ou l'artiste etait alors, des
son avenement au trone?_] in the mountains of Brianza are the rods
of chestnuts of 9 braccia and one out of an average of 100 will be
14 braccia.

At Varallo di Ponbia near to Sesto on the Ticino the quinces are
white, large and hard.

[Footnote 5: Varallo di Ponbia, about ten miles South of Arona is
distinct from Varallo the chief town in the Val di Sesia.]

Notes on places in Central Italy, visited in 1502 (1034-1054).

1034.

Pigeon-house at Urbino, the 30th day of July 1502. [Footnote: An
indistinct sketch is introduced with this text, in the original, in
which the word _Scolatoro_ (conduit) is written.]

1035.

Made by the sea at Piombino. [Footnote: Below the sketch there are
eleven lines of text referring to the motion of waves.]

1036.

Acquapendente is near Orvieto. [Footnote: _Acquapendente_ is about
10 miles West of Orvieto, and is to the right in the map on Pl.
CXIII, near the lake of Bolsena.]

1037.

The rock of Cesena. [Footnote: See Pl. XCIV No. 1, the lower sketch.
The explanation of the upper sketch is given on p. 29.]

1038.

Siena, _a b_ 4 braccia, _a c_ 10 braccia. Steps at [the castle of]
Urbino. [Footnote: See Pl. CX No. 3; compare also No. 765.]

1039.

The bell of Siena, that is the manner of its movement, and the place
of the attachment of the clapper. [Footnote: The text is accompanied
by an indistinct sketch.]

1040.

On St. Mary's day in the middle of August, at Cesena, 1502.
[Footnote: See Pl. CX, No. 4.]

1041.

Stairs of the [palace of the] Count of Urbino,--rough. [Footnote:
The text is accompanied by a slight sketch.]

1042.

At the fair of San Lorenzo at Cesena. 1502.

1043.

Windows at Cesena. [Footnote: There are four more lines of text
which refer to a slightly sketched diagram.]

1044.

At Porto Cesenatico, on the 6th of September 1502 at 9 o'clock a. m.

The way in which bastions ought to project beyond the walls of the
towers to defend the outer talus; so that they may not be taken by
artillery.

[Footnote: An indistinct sketch, accompanies this passage.]

1045.

The rock of the harbour of Cesena is four points towards the South
West from Cesena.

1046.

In Romagna, the realm of all stupidity, vehicles with four wheels
are used, of which O the two in front are small and two high ones
are behind; an arrangement which is very unfavourable to the motion,
because on the fore wheels more weight is laid than on those behind,
as I showed in the first of the 5th on "Elements".

1047.

Thus grapes are carried at Cesena. The number of the diggers of the
ditches is [arranged] pyramidically. [Footnote: A sketch,
representing a hook to which two bunches of grapes are hanging,
refers to these first two lines. Cesena is mentioned again Fol. 82a:
_Carro da Cesena_ (a cart from Cesena).]

1048.

There might be a harmony of the different falls of water as you saw
them at the fountain of Rimini on the 8th day of August, 1502.

1049.

The fortress at Urbino. [Footnote: 1049. In the original the text is
written inside the sketch in the place here marked _n_.]

1050.

Imola, as regards Bologna, is five points from the West, towards the
North West, at a distance of 20 miles.

Castel San Piero is seen from Imola at four points from the West
towards the North West, at a distance of 7 miles.

Faenza stands with regard to Imola between East and South East at a
distance of ten miles. Forli stands with regard to Faenza between
South East and East at a distance of 20 miles from Imola and ten
from Faenza.

Forlimpopoli lies in the same direction at 25 miles from Imola.

Bertinoro, as regards Imola, is five points from the East to wards
the South East, at 27 miles.

1051.

Imola as regards Bologna is five points from the West towards the
North West at a distance of 20 miles.

Castel San Pietro lies exactly North West of Imola, at a distance of
7 miles.

Faenza, as regards Imola lies exactly half way between the East and
South East at a distance of 10 miles; and Forli lies in the same
direction from Imola at a distance of 20 miles; and Forlimpopolo
lies in the same direction from Forli at a distance of 25 miles.

Bertinoro is seen from Imola two points from the East towards the
South East at a distance of 27 miles.

[Footnote: Leonardo inserted this passage on the margin of the
circular plan, in water colour, of Imola--see Pl. CXI No. 1.--In the
original the fields surrounding the town are light green; the moat,
which surrounds the fortifications and the windings of the river
Santerno, are light blue. The parts, which have come out blackish
close to the river are yellow ochre in the original. The dark groups
of houses inside the town are red. At the four points of the compass
drawn in the middle of the town Leonardo has written (from right to
left): _Mezzodi_ (South) at the top; to the left _Scirocho_ (South
east), _levante_ (East), _Greco_ (North East), _Septantrione_
(North), _Maesstro_ (North West), _ponente_ (West) _Libecco_ (South
West). The arch in which the plan is drawn is, in the original, 42
centimetres across.

At the beginning of October 1502 Cesare Borgia was shut up in Imola
by a sudden revolt of the Condottieri, and it was some weeks before
he could release himself from this state of siege (see Gregorovius,
_Geschichte der Stadt Rom im Mittelalter_, Vol. VII, Book XIII, 5,
5).

Besides this incident Imola plays no important part in the history
of the time. I therefore think myself fully justified in connecting
this map, which is at Windsor, with the siege of 1502 and with
Leonardo's engagements in the service of Cesare Borgia, because a
comparison of these texts, Nos. 1050 and 1051, raise, I believe, the
hypothesis to a certainty.]

1052.

>From Bonconventi to Casa Nova are 10 miles, from Casa Nova to Chiusi
9 miles, from Chiusi to Perugia, from, Perugia to Santa Maria degli
Angeli, and then to Fuligno. [Footnote: Most of the places here
described lie within the district shown in the maps on Pl. CXIII.]

1053.

On the first of August 1502, the library at Pesaro.

1054.

OF PAINTING.

On the tops and sides of hills foreshorten the shape of the ground
and its divisions, but give its proper shape to what is turned
towards you. [Footnote: This passage evidently refers to the making
of maps, such as Pl. CXII, CXIII, and CXIV. There is no mention of
such works, it is true, excepting in this one passage of MS. L. But
this can scarcely be taken as evidence against my view that Leonardo
busied himself very extensively at that time in the construction of
maps; and all the less since the foregoing chapters clearly prove
that at a time so full of events Leonardo would only now and then
commit his observations to paper, in the MS. L.

By the side of this text we find, in the original, a very indistinct
sketch, perhaps a plan of a position. Instead of this drawing I have
here inserted a much clearer sketch of a position from the same MS.,
L. 82b and 83a. They are the only drawings of landscape, it may be
noted, which occur at all in that MS.]

Alessandria in Piedmont (1055. 1056).
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