The liberals in Philadelphia are committed to dismantling American and Western civilization
When most Americans think of Philadelphia -- although probably fewer today than ever before, given the low level of history education in American schools -- they probably think of the founding of the United States, the Liberty Bell and the city's nickname, the City of Brotherly Love.
Having been to Philadelphia at least 20 times, I am among the many Americans who have warm feelings toward America's founding city. My daily radio show has a large and enthusiastic listener base there, and I have a son who lives nearby.
So, it is with no joy that I write about the transformation of Philadelphia into something far removed from the principles of the country it helped birth. Philadelphia's leading institutions -- such as the University of Pennsylvania, the Philadelphia Orchestra and the Philadelphia Flyers -- provide depressing evidence.
We'll begin with the Philadelphia-based University of Pennsylvania, one of the country's Ivy League colleges. When Harvard Professor Steven Pinker, a liberal and an atheist, recently described American universities as a "laughingstock," he could have been referring specifically to the University of Pennsylvania, which, among other Philadelphia institutions, is committed to dismantling American and Western civilization.
For decades, a portrait of William Shakespeare, the greatest English-language playwright who ever lived and the most widely read playwright in the world, hung over the main staircase of Fisher-Bennett Hall, home to Penn's English department.
Given Shakespeare's stature as an English-language writer, what other writer would an English department so honor? But that question only makes sense to those who believe that excellence should dictate what writer's portrait should hang in a university English department. The idea that excellence is all that matters in assessing artists is fundamental to Western civilization and is a primary reason for its ascent. It took a long time for humanity to transcend ethnic, racial, tribal and economic criteria for assessing art.
But the English department at the University of Pennsylvania, dominated as it is by those who equate Western civilization with "white supremacy" (aka leftists), voted to remove the Shakespeare portrait. As reported in The Daily Pennsylvanian, the university's student newspaper, "The English Department voted to relocate and replace the portrait ... in order to represent a more diverse range of writers, according to an emailed statement from (Department Chair Jed) Esty, who declined to be interviewed."
A few years later, in December 2016, students took down the portrait.
In its place they put up a portrait of Audre Lorde, a black feminist lesbian poet who died in 1992.
Equally nihilistic is a story out of the University of Pennsylvania Law School. On Aug. 9, 2017, tenured Penn Law professor Amy Wax and University of San Diego School of Law professor Larry Alexander co-authored an opinion piece titled "Paying the price for breakdown of the country's bourgeois culture."