ST. LOUIS -- The big pictures tell a St. Louis story, but so do the details.
Yes, there's the little boy picking his nose on one side of a panoramic photo of a 1921 golden jubilee celebration of a Jesuit priest. And the wide-mouthed woman photobombing a panorama of a crowd gathered on Art Hill to welcome home aviator Charles Lindbergh.
But there's also the streetcars, train and people walking across the Eads Bridge in a giant photo of an early 20th century St. Louis riverfront. The bigger story: Those things present the bridge as the city's first significant connection to the east.
"Panoramas of the City," on view through Aug. 12 at the Missouri History Museum in St. Louis' Forest Park, explores the city's history from 1900 to 1950 through panoramic photographs. Seven images are blown up to life-size on backlit screens, and more than 60 others are throughout the exhibit.
Objects on display complement the oversize photos. A green seat from Sportsman's Park accompanies an image of a 1941 Negro Leagues game there. A Veiled Prophet queen's gown with a 10-foot train stands with a photo of the 1937 Veiled Prophet ball. And a 1927 Ford Model T is parked with one seen in a photo of tornado destruction in St. Louis that year.
"We've positioned ourselves to ask about St. Louis history in new ways," says Adam Kloppe, a public historian at the museum and the head writer and researcher behind the exhibit.
He cited "A Walk in 1875 St. Louis," the museum's recent popular exhibit that closely examined life during a single year in the city, and the current exhibit "#1 in Civil Rights," which explores the role of St. Louis in the black civil rights struggle.
"We asked ourselves, 'How does St. Louis history look if we only look at these large-format, amazing historical photographs?' "
Kloppe and others searched through hundreds of panoramic photos in museum archives and from other institutions such as the Cardinals, Jefferson Barracks and the Mercantile Library. They came up with a cross-section of images showing a broad local history -- including a photo of a meeting of the League of Struggle for Negro Rights in fall of 1930.
In spring of that year, six Communist activists had been arrested in Atlanta and faced the death penalty for distributing anti-lynching literature. One leaflet that got them in particular trouble showed a black man and a white man shaking hands. When Kloppe examined the St. Louis photo, which showed men holding signs demanding the release of the Atlanta six, he spotted a black man and a white man kneeling at the front of the group, shaking hands.