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Album reviews: Sleater-Kinney, Spirit of the Beehive, Robert Finley

Dan DeLuca, The Philadelphia Inquirer on

Published in Entertainment News

Sleater-Kinney

"Path of Wellness"

(Mom + Pop ***)

Do bands owe it to their fans to stick to what first won them an audience, rather than changing with the times? Of course not. If Charlie Watts quit Mick Jagger and Keith Richards, would they be justified in still calling the band the Rolling Stones? Yes, but it wouldn't be the same.

Such are the issues and anxieties that Sleater-Kinney fans have struggled with since drummer Janet Weiss left the riot-grrrl band after the unintentionally aptly titled 2019 album "The Center Won't Hold."

Singers and guitarists Corin Tucker and Carrie Brownstein carried on with a tour for the keyboard-heavy, St. Vincent-produced "Center," leaving loyalists dismayed at the loss of the mighty drummer and the breakup of a feminist sisterhood.

 

Now, Tucker and Brownstein are back with their first album as a duo, recorded during a tense pandemic summer as protesters faced off with police in Portland, Oregon. In some ways, the first self-produced Sleater-Kinney album feels like a concession: It's much more guitar-oriented, angling toward classic rock.

Don't expect "Path" to hit with the force of urgent early work like 1999′s "Dig Me Out." And that's OK: Weiss' powerhouse propulsion is missing, and songs like the catchy "Favorite Neighbor" and sorrowful closer "Bring Mercy" don't ring out with rebellious rage.

But the album does showcase a pair of uniquely simpatico creative partners, striving to evolve after a quarter century together.

There are missteps, like the labored "Complex Female Characters," but "Path" has ample rewards as it seeks a balance between soul-soothing calm and heading off to the races. Tucker and Brownstein are still Sleater-Kinney, and they can kick up a storm, albeit not as violent of one as they did back in their glory days. — Dan DeLuca

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