Album reviews: Jonas Brothers, Baroness and Jimmie Vaughan

The Philadelphia Inquirer on

Published in Entertainment News


"Gold & Grey"

(Abraxan Hymns )

Baroness may well be Philly's most beloved working band. Leader and in-demand visual artist John Baizley miraculously survived a tour bus crash so traumatic that his original rhythm section quit afterward. And five albums into a hot streak that's won him plaudits and converts who don't normally associate with metal at all, he takes another great leap forward with "Gold & Grey." It's easily their softest album, filled with acoustic and instrumental passages between trademark high-wire set pieces for Baizley and new lead guitarist Gina Gleason. The technical displays are often the selling point -- just try the Mobius strip fretwork on "Tourniquet" or Sebastian Thomsen's beehive-kicking drum hysterics on "Seasons." The nearly gorgeous "Throw Me an Anchor" may be the band's peak on every level, and it ain't one of the slow ones. But Baizley's one-note singing is growing as monotonous as Future's Auto-Tune (which also grows wearying over 17 tracks) and often the departures meant to impress on a metal album (the ballad "I'd Do Anything," the dirge "Emmett – Radiating Light") trade the accessibility of 2015's thundering "Purple" for downright conventionality. --Dan Weiss

Jonas Brothers

"Happiness Begins"


(Republic 1/2)

The now-adult Jonas Brothers -- Kevin, Joe and Nick -- are making grown-and-sexy music without losing its kiddish charm.

The band's fifth studio album -- its first since 2009's "Lines, Vines and Trying Times," and the solo careers of Nick and Joe -- find the brothers tackling more risque, emotional turf than they did in their past. There's a reason that the irresistible vocal harmonies, sumptuous melody and stop-starting rhythm of "Sucker" gave the Jonas' the first No. 1 single of its career. The same can be said of the vocal unity that fuels the down tempo "Cool," and its fizzy guitars and the ardent pop of "Every Single Time." Plus, anyone looking for Nick and Joe to up-the-ante on whose got the creamier falsetto can listen in to "I Believe" and Joe's steamy "Hesitate," each written for that Jonas' respective brides. --A.D. Amorosi

Jimmie Vaughan


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