Aki Kaurismaki, the Finnish director with the euphonious name, is a filmmaker who goes his own way, and never more so than in "The Other Side of Hope."
Known for idiosyncratic work that is improbable and endearing, products of the most deadpan comic sensibility since Buster Keaton, Kaurismaki's wacky films come with sui generis titles like "Leningrad Cowboys Go America" and "Take Care of Your Scarf, Tatiana."
Yet starting with Kaurismaki's last feature, 2011's marvelous "Le Havre," an unlikely political subtext has joined the madness. "The Other Side of Hope" and its unapologetic plea for understanding for refugees flooding Europe adds to that trend.
"In Finland, 30,000 Iraqi refugees arrived, and both the young Finnish and old Finnish took it as a war -- 'somebody's attacking us,' like Russia 50 or 60 years ago," Kaurismaki said at the Berlin Film Festival, where his film won the Silver Bear for best director.
"This attitude was intolerable, in my opinion, and I didn't like to see that in my compatriots."
The story here, written by Kaurismaki, is simplicity itself, the tale of two men, strangers to each other, who want to begin life anew on the quirky streets of Helsinki.
One man, a traveling salesman named Wikstrom, is a familiar figure in the Kaurismaki universe, a tired, middle-aged man whose life is going nowhere.
Wikstrom, played by Kaurismaki veteran Sakari Kuosmanen, is introduced turning his life around, starting by packing a battered suitcase and leaving his seemingly indifferent, alcoholic wife behind.
After emptying his storage unit of the 6,000 shirts that are his stock in trade, Wikstrom goes to a clandestine poker game in the hopes of earning enough money to fulfill his dream of owning a restaurant.
The place he ends up with, an indifferent seafood joint called the Golden Pint, is no one's idea of a dream comes true, but Wikstrom has big plans for it, some crazier than others but all quite amusing to observe.