Short Stories

Folklore and Legends from Scotland

Anonymous

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ELPHIN IRVING.


   THE FAIRIES' CUPBEARER.

   "The lady kilted her kirtle green
      A little aboon her knee,
   The lady snooded her yellow hair
      A little aboon her bree,
   And she's gane to the good greenwood
      As fast as she could hie.

   And first she let the black steed pass,
      And syne she let the brown,
   And then she flew to the milk-white steed,
      And pulled the rider down:
   Syne out then sang the queen o' the fairies,
      Frae midst a bank of broom,
   She that has won him, young Tamlane,
      Has gotten a gallant groom."

   _Old Ballad_.

"The romantic vale of Corriewater, in Annandale, is regarded by the
inhabitants, a pastoral and unmingled people, as the last border refuge
of those beautiful and capricious beings, the fairies.  Many old people
yet living imagine they have had intercourse of good words and good deeds
with the 'good folk'; and continue to tell that in the ancient days the
fairies danced on the hill, and revelled in the glen, and showed
themselves, like the mysterious children of the deity of old, among the
sons and daughters of men.  Their visits to the earth were periods of joy
and mirth to mankind, rather than of sorrow and apprehension.  They
played on musical instruments of wonderful sweetness and variety of note,
spread unexpected feasts, the supernatural flavour of which overpowered
on many occasions the religious scruples of the Presbyterian shepherds,
performed wonderful deeds of horsemanship, and marched in midnight
processions, when the sound of their elfin minstrelsy charmed youths and
maidens into love for their persons and pursuits; and more than one
family of Corriewater have the fame of augmenting the numbers of the
elfin chivalry.  Faces of friends and relatives, long since doomed to the
battle-trench or the deep sea, have been recognised by those who dared to
gaze on the fairy march.  The maid has seen her lost lover, and the
mother her stolen child; and the courage to plan and achieve their
deliverance has been possessed by, at least, one border maiden.  In the
legends of the people of Corrievale, there is a singular mixture of elfin
and human adventure, and the traditional story of the Cupbearer to the
Queen of the Fairies appeals alike to our domestic feelings and
imagination.

"In one of the little green loops or bends on the banks of Corriewater,
mouldered walls, and a few stunted wild plum-trees and vagrant roses,
still point out the site of a cottage and garden.  A well of pure spring-
water leaps out from an old tree-root before the door; and here the
shepherds, shading themselves in summer from the influence of the sun,
tell to their children the wild tale of Elphin Irving and his sister
Phemie; and, singular as the story seems, it has gained full credence
among the people where the scene is laid."

"I ken the tale and the place weel," interrupted an old Scottish woman,
who, from the predominance of scarlet in her apparel, seemed to have been
a follower of the camp,--"I ken them weel, and the tale's as true as a
bullet to its aim and a spark to powder.  O bonnie Corriewater, a
thousand times have I pulled gowans on its banks wi' ane that lies stiff
and stark on a foreign shore in a bloody grave;" and, sobbing audibly,
she drew the remains of a military cloak over her face, and allowed the
story to proceed.

"When Elphin Irving and his sister Phemie were in their sixteenth year,
for tradition says they were twins, their father was drowned in
Corriewater, attempting to save his sheep from a sudden swell, to which
all mountain streams are liable; and their mother, on the day of her
husband's burial, laid down her head on the pillow, from which, on the
seventh day, it was lifted to be dressed for the same grave.  The
inheritance left to the orphans may be briefly described: seventeen acres
of plough and pasture land, seven milk cows, and seven pet sheep (many
old people take delight in odd numbers); and to this may be added seven
bonnet-pieces of Scottish gold, and a broadsword and spear, which their
ancestor had wielded with such strength and courage in the battle of
Dryfe Sands, that the minstrel who sang of that deed of arms ranked him
only second to the Scotts and Johnstones.

"The youth and his sister grew in stature and in beauty.  The brent
bright brow, the clear blue eye, and frank and blithe deportment of the
former gave him some influence among the young women of the valley; while
the latter was no less the admiration of the young men, and at fair and
dance, and at bridal, happy was he who touched but her hand, or received
the benediction of her eye.  Like all other Scottish beauties, she was
the theme of many a song; and while tradition is yet busy with the
singular history of her brother, song has taken all the care that rustic
minstrelsy can of the gentleness of her spirit and the charms of her
person."

"Now I vow," exclaimed a wandering piper, "by mine own honoured
instrument, and by all other instruments that ever yielded music for the
joy and delight of mankind, that there are more bonnie songs made about
fair Phemie Irving than about all other dames of Annandale, and many of
them are both high and bonnie.  A proud lass maun she be if her spirit
hears; and men say the dust lies not insensible of beautiful verse; for
her charms are breathed through a thousand sweet lips, and no further
gone than yestermorn I heard a lass singing on a green hillside what I
shall not readily forget.  If ye like to listen, ye shall judge; and it
will not stay the story long, nor mar it much, for it is short, and about
Phemie Irving."  And, accordingly, he chanted the following rude verses,
not unaccompanied by his honoured instrument, as he called his pipe,
which chimed in with great effect, and gave richness to a voice which
felt better than it could express:--
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The Complete Plays of Gilbert and Sullivan
W.S. Gilbert

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