Poetry

The Complete Poetical Works of Edgar Allan Poe

Edgar Allan Poe

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AN ENIGMA.


  "Seldom we find," says Solomon Don Dunce,
      "Half an idea in the profoundest sonnet.
    Through all the flimsy things we see at once
      As easily as through a Naples bonnet--
      Trash of all trash!--how _can_ a lady don it?
    Yet heavier far than your Petrarchan stuff--
    Owl-downy nonsense that the faintest puff
      Twirls into trunk-paper the while you con it."
    And, veritably, Sol is right enough.
    The general tuckermanities are arrant
    Bubbles--ephemeral and _so_ transparent--
      But _this is_, now--you may depend upon it--
    Stable, opaque, immortal--all by dint
    Of the dear names that lie concealed within't.


[See note after previous poem.]

1847.





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TO MY MOTHER.


  Because I feel that, in the Heavens above,
    The angels, whispering to one another,
  Can find, among their burning terms of love,
    None so devotional as that of "Mother,"
  Therefore by that dear name I long have called you--
    You who are more than mother unto me,
  And fill my heart of hearts, where Death installed you,
    In setting my Virginia's spirit free.
  My mother--my own mother, who died early,
    Was but the mother of myself; but you
  Are mother to the one I loved so dearly,
    And thus are dearer than the mother I knew
  By that infinity with which my wife
    Was dearer to my soul than its soul-life.


1849.


[The above was addressed to the poet's mother-in-law, Mrs. Clemm.--Ed.]





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FOR ANNIE.


  Thank Heaven! the crisis--
    The danger is past,
  And the lingering illness
    Is over at last--
  And the fever called "Living"
    Is conquered at last.

  Sadly, I know,
    I am shorn of my strength,
  And no muscle I move
    As I lie at full length--
  But no matter!--I feel
    I am better at length.

  And I rest so composedly,
    Now in my bed,
  That any beholder
    Might fancy me dead--
  Might start at beholding me
    Thinking me dead.

  The moaning and groaning,
    The sighing and sobbing,
  Are quieted now,
    With that horrible throbbing
  At heart:--ah, that horrible,
    Horrible throbbing!

  The sickness--the nausea--
    The pitiless pain--
  Have ceased, with the fever
    That maddened my brain--
  With the fever called "Living"
    That burned in my brain.

  And oh! of all tortures
    _That_ torture the worst
  Has abated--the terrible
    Torture of thirst,
  For the naphthaline river
    Of Passion accurst:--
  I have drank of a water
    That quenches all thirst:--

  Of a water that flows,
    With a lullaby sound,
  From a spring but a very few
    Feet under ground--
  From a cavern not very far
    Down under ground.

  And ah! let it never
    Be foolishly said
  That my room it is gloomy
    And narrow my bed--
  For man never slept
    In a different bed;
  And, to _sleep_, you must slumber
    In just such a bed.

  My tantalized spirit
    Here blandly reposes,
  Forgetting, or never
    Regretting its roses--
  Its old agitations
    Of myrtles and roses:

  For now, while so quietly
    Lying, it fancies
  A holier odor
    About it, of pansies--
  A rosemary odor,
    Commingled with pansies--
  With rue and the beautiful
    Puritan pansies.

  And so it lies happily,
    Bathing in many
  A dream of the truth
    And the beauty of Annie--
  Drowned in a bath
    Of the tresses of Annie.

  She tenderly kissed me,
    She fondly caressed,
  And then I fell gently
    To sleep on her breast--
  Deeply to sleep
    From the heaven of her breast.

  When the light was extinguished,
    She covered me warm,
  And she prayed to the angels
    To keep me from harm--
  To the queen of the angels
    To shield me from harm.

  And I lie so composedly,
    Now in my bed
  (Knowing her love)
    That you fancy me dead--
  And I rest so contentedly,
    Now in my bed,
  (With her love at my breast)
    That you fancy me dead--
  That you shudder to look at me.
    Thinking me dead.

  But my heart it is brighter
    Than all of the many
  Stars in the sky,
    For it sparkles with Annie--
  It glows with the light
    Of the love of my Annie--
  With the thought of the light
    Of the eyes of my Annie.


1849.





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TO F--


  Beloved! amid the earnest woes
    That crowd around my earthly path--
  (Drear path, alas! where grows
  Not even one lonely rose)--
    My soul at least a solace hath
  In dreams of thee, and therein knows
  An Eden of bland repose.

  And thus thy memory is to me
    Like some enchanted far-off isle
  In some tumultuous sea--
  Some ocean throbbing far and free
    With storm--but where meanwhile
  Serenest skies continually
    Just o'er that one bright inland smile.


1845.





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TO FRANCES S. OSGOOD.


  Thou wouldst be loved?--then let thy heart
    From its present pathway part not;
  Being everything which now thou art,
    Be nothing which thou art not.
  So with the world thy gentle ways,
    Thy grace, thy more than beauty,
  Shall be an endless theme of praise.
    And love a simple duty.


1845.





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ELDORADO.


    Gaily bedight,
    A gallant knight,
  In sunshine and in shadow,
    Had journeyed long,
    Singing a song,
  In search of Eldorado.
    But he grew old--
    This knight so bold--
  And o'er his heart a shadow
    Fell as he found
    No spot of ground
  That looked like Eldorado.

  And, as his strength
    Failed him at length,
  He met a pilgrim shadow--
    "Shadow," said he,
    "Where can it be--
  This land of Eldorado?"

    "Over the Mountains
    Of the Moon,
  Down the Valley of the Shadow,
    Ride, boldly ride,"
    The shade replied,
  "If you seek for Eldorado!"


1849.





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EULALIE.


               I dwelt alone
               In a world of moan,
           And my soul was a stagnant tide,
  Till the fair and gentle Eulalie became my blushing bride--
  Till the yellow-haired young Eulalie became my smiling bride.
               Ah, less--less bright
               The stars of the night
           Than the eyes of the radiant girl!
               And never a flake
               That the vapor can make
           With the moon-tints of purple and pearl,
  Can vie with the modest Eulalie's most unregarded curl--
  Can compare with the bright-eyed Eulalie's most humble and careless
    curl.
               Now Doubt--now Pain
               Come never again,
           For her soul gives me sigh for sigh,
               And all day long
               Shines, bright and strong,
           Astarte within the sky,
  While ever to her dear Eulalie upturns her matron eye--
  While ever to her young Eulalie upturns her violet eye.

1845.





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A DREAM WITHIN A DREAM.


  Take this kiss upon the brow!
  And, in parting from you now,
  Thus much let me avow--
  You are not wrong, who deem
  That my days have been a dream:
  Yet if hope has flown away
  In a night, or in a day,
  In a vision or in none,
  Is it therefore the less _gone_?
  _All_ that we see or seem
  Is but a dream within a dream.

  I stand amid the roar
  Of a surf-tormented shore,
  And I hold within my hand
  Grains of the golden sand--
  How few! yet how they creep
  Through my fingers to the deep
  While I weep--while I weep!
  O God! can I not grasp
  Them with a tighter clasp?
  O God! can I not save
  _One_ from the pitiless wave?
  Is _all_ that we see or seem
  But a dream within a dream?


1849.





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TO MARIE LOUISE (SHEW).


  Of all who hail thy presence as the morning--
  Of all to whom thine absence is the night--
  The blotting utterly from out high heaven
  The sacred sun--of all who, weeping, bless thee
  Hourly for hope--for life--ah, above all,
  For the resurrection of deep buried faith
  In truth, in virtue, in humanity--
  Of all who, on despair's unhallowed bed
  Lying down to die, have suddenly arisen
  At thy soft-murmured words, "Let there be light!"
  At thy soft-murmured words that were fulfilled
  In thy seraphic glancing of thine eyes--
  Of all who owe thee most, whose gratitude
  Nearest resembles worship,--oh, remember
  The truest, the most fervently devoted,
  And think that these weak lines are written by him--
  By him who, as he pens them, thrills to think
  His spirit is communing with an angel's.

1847.





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TO MARIE LOUISE (SHEW).


  Not long ago, the writer of these lines,
  In the mad pride of intellectuality,
  Maintained "the power of words"--denied that ever
  A thought arose within the human brain
  Beyond the utterance of the human tongue:
  And now, as if in mockery of that boast,
  Two words--two foreign soft dissyllables--
  Italian tones, made only to be murmured
  By angels dreaming in the moonlit "dew
  That hangs like chains of pearl on Hermon hill,"--
  Have stirred from out the abysses of his heart,
  Unthought-like thoughts that are the souls of thought,
  Richer, far wilder, far diviner visions
  Than even the seraph harper, Israfel,
  (Who has "the sweetest voice of all God's creatures,")
  Could hope to utter. And I! my spells are broken.
  The pen falls powerless from my shivering hand.
  With thy dear name as text, though hidden by thee,
  I cannot write--I cannot speak or think--
  Alas, I cannot feel; for 'tis not feeling,
  This standing motionless upon the golden
  Threshold of the wide-open gate of dreams,
  Gazing, entranced, adown the gorgeous vista,
  And thrilling as I see, upon the right,
  Upon the left, and all the way along,
  Amid empurpled vapors, far away
  To where the prospect terminates--_thee only_!





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THE CITY IN THE SEA.


  Lo! Death has reared himself a throne
  In a strange city lying alone
  Far down within the dim West,
  Where the good and the bad and the worst and the best
  Have gone to their eternal rest.
  There shrines and palaces and towers
  (Time-eaten towers and tremble not!)
  Resemble nothing that is ours.
  Around, by lifting winds forgot,
  Resignedly beneath the sky
  The melancholy waters lie.

  No rays from the holy Heaven come down
  On the long night-time of that town;
  But light from out the lurid sea
  Streams up the turrets silently--
  Gleams up the pinnacles far and free--
  Up domes--up spires--up kingly halls--
  Up fanes--up Babylon-like walls--
  Up shadowy long-forgotten bowers
  Of sculptured ivy and stone flowers--
  Up many and many a marvellous shrine
  Whose wreathed friezes intertwine
  The viol, the violet, and the vine.

  Resignedly beneath the sky
  The melancholy waters lie.
  So blend the turrets and shadows there
  That all seem pendulous in air,
  While from a proud tower in the town
  Death looks gigantically down.

  There open fanes and gaping graves
  Yawn level with the luminous waves;
  But not the riches there that lie
  In each idol's diamond eye--
  Not the gaily-jewelled dead
  Tempt the waters from their bed;
  For no ripples curl, alas!
  Along that wilderness of glass--
  No swellings tell that winds may be
  Upon some far-off happier sea--
  No heavings hint that winds have been
  On seas less hideously serene.

  But lo, a stir is in the air!
  The wave--there is a movement there!
  As if the towers had thrust aside,
  In slightly sinking, the dull tide--
  As if their tops had feebly given
  A void within the filmy Heaven.
  The waves have now a redder glow--
  The hours are breathing faint and low--
  And when, amid no earthly moans,
  Down, down that town shall settle hence,
  Hell, rising from a thousand thrones,
  Shall do it reverence.


1835?





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THE SLEEPER


  At midnight, in the month of June,
  I stand beneath the mystic moon.
  An opiate vapor, dewy, dim,
  Exhales from out her golden rim,
  And, softly dripping, drop by drop,
  Upon the quiet mountain top,
  Steals drowsily and musically
  Into the universal valley.
  The rosemary nods upon the grave;
  The lily lolls upon the wave;
  Wrapping the fog about its breast,
  The ruin moulders into rest;
  Looking like Lethe, see! the lake
  A conscious slumber seems to take,
  And would not, for the world, awake.
  All Beauty sleeps!--and lo! where lies
  (Her casement open to the skies)
  Irene, with her Destinies!

  Oh, lady bright! can it be right--
  This window open to the night!
  The wanton airs, from the tree-top,
  Laughingly through the lattice-drop--
  The bodiless airs, a wizard rout,
  Flit through thy chamber in and out,
  And wave the curtain canopy
  So fitfully--so fearfully--
  Above the closed and fringed lid
  'Neath which thy slumb'ring soul lies hid,
  That, o'er the floor and down the wall,
  Like ghosts the shadows rise and fall!
  Oh, lady dear, hast thou no fear?
  Why and what art thou dreaming here?
  Sure thou art come o'er far-off seas,
  A wonder to these garden trees!
  Strange is thy pallor! strange thy dress!
  Strange, above all, thy length of tress,
  And this all-solemn silentness!

  The lady sleeps! Oh, may her sleep
  Which is enduring, so be deep!
  Heaven have her in its sacred keep!
  This chamber changed for one more holy,
  This bed for one more melancholy,
  I pray to God that she may lie
  For ever with unopened eye,
  While the dim sheeted ghosts go by!

  My love, she sleeps! Oh, may her sleep,
  As it is lasting, so be deep;
  Soft may the worms about her creep!
  Far in the forest, dim and old,
  For her may some tall vault unfold--
  Some vault that oft hath flung its black
  And winged panels fluttering back,
  Triumphant, o'er the crested palls,
  Of her grand family funerals--
  Some sepulchre, remote, alone,
  Against whose portal she hath thrown,
  In childhood many an idle stone--
  Some tomb from out whose sounding door
  She ne'er shall force an echo more,
  Thrilling to think, poor child of sin!
  It was the dead who groaned within.


1845.





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BRIDAL BALLAD.


  The ring is on my hand,
    And the wreath is on my brow;
  Satins and jewels grand
  Are all at my command.
    And I am happy now.

  And my lord he loves me well;
    But, when first he breathed his vow,
  I felt my bosom swell--
  For the words rang as a knell,
  And the voice seemed _his_ who fell
  In the battle down the dell,
    And who is happy now.

  But he spoke to reassure me,
    And he kissed my pallid brow,
  While a reverie came o'er me,
  And to the churchyard bore me,
  And I sighed to him before me,
  Thinking him dead D'Elormie,
    "Oh, I am happy now!"

  And thus the words were spoken,
    And thus the plighted vow,
  And, though my faith be broken,
  And, though my heart be broken,
  Behold the golden keys
    That _proves_ me happy now!

  Would to God I could awaken
    For I dream I know not how,
  And my soul is sorely shaken
  Lest an evil step be taken,--
  Lest the dead who is forsaken
    May not be happy now.


1845.
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