When he is under the necessity of saying anything harsh, he is much more
pained at it than the person who experiences the disgrace.
He is not fond of the country, but prefers living in town. He is in this
respect like Madame de Longueville, who was tired to death of being in
Normandy, where her husband was.
[The Duc de Longueville was Governor of Normandy; and after the
reduction of Bordeaux, in 1652, the Duchesse de Longueville received
an order from the Court to repair to her husband.]
Those who were about her said, "Mon Dieu, Madame, you are eaten up with
ennui; will you not take some amusement? There are dogs and a beautiful
forest; will you hunt?"
"No," she replied, "I don't like hunting."
"Will you work?"
"No, I don't like work."
"Will you take a walk, or play at some game?"
"No, I like neither the one nor the other."
"What will you do, then?" they asked.
"What can I do?" she said; "I hate innocent pleasures."
My son understands music well, as all the musicians agree. He has
composed two or three operas, which are pretty. La Fare, his Captain of
the guards, wrote the words. He had them played in his palace, but never
would permit them to be represented on the public stage.
When he had nothing to do he painted for one of the Duchess's cabinets
all the pastoral romance of "Daphnis and Chloe."
[The designs for the romance of "Daphnis and Chloe" were composed by
the Regent, with the advice, and probably the assistance, of Claude
Audran, a distinguished painter, whom Lebrun often employed to help
him with his large pictures. He painted a part of the battles of
Alexander. These designs were engraved by Benoit Audran; they
embellish what is called "the Regent's edition" of the Pastoral of
Longus, which was printed under his inspection in the year 1718. It
is somewhat surprising that Madame should speak so disdainfully of
so eminent an artist as Benoit Audran.]
With the exception of the first, he invented and painted all the
subjects. They have been engraved by one Audran. The Duchess thought
them so pretty that she had them worked in a larger size in tapestry; and
these, I think, are better than the engravings.
My son's learning has not the least tinge of pedantry. He knows a
quantity of facetious stories, which he learnt in Italy and in Spain.
He does not tell them badly, but I like him better in his more serious
moods, because they are more natural to him. When he talks upon learned
topics it is easy to see that they are rather troublesome to him than
otherwise. I often blamed him for this; but he used to reply that it was
not his fault, that he was ready enough to learn anything, but that when
he once knew it he no longer took pleasure in it.
He is eloquent enough, and when he chooses he can talk with dignity. He
has a Jesuit for his confessor, but he does not suffer himself to be
ruled by him. He pretends that his daughter has no influence over him.
He was delighted when he obtained the command of the Spanish army, and
was pleased with everything in that country; this procured him the hatred
of the Princesse des Ursins, who feared that my son would diminish her
authority and gain more of the confidence of the Spaniards than she
possessed.
He learned to cook during his stay with the army in Spain.
I cannot tell where he learned so much patience; I am sure it was neither
from Monsieur nor from me.
When he acted from himself I always found him reasonable; but he too
often confided in rogues, who had not half his sense, and then all went
wrong.
My son is like all the rest of his family; when they had become
accustomed to a thing they suffered it to go its own way. It was for
this reason he could not persuade himself to shake off the Abbe Dubois,
although he knew him to be a rascal. This Abbe had the impudence to try
to persuade even me that the marriage he had brought about was an
excellent one.
"But the honour which is lost in it," said I, "how will you repair that?"
Old Maintenon had made immense promises to him, as well as to my son;
but, thank God, she kept neither the one nor the other.
It is intolerable that my son will go about day and night with that
wicked and impertinent Noce I hate that Noce as I hate the devil. He and
Brogue run all risks, because they are thus enabled to sponge upon my
son. It is said that Noce is jealous of Parabere, who has fallen in love
with some one else. This proves that my son is not jealous. The person
with whom she has fallen in love has long been a sort of adventurer: it
is Clermont, a captain in my son's Swiss Guard; the same who preferred
Chouin to the great Princesse de Conti. It is said that Noce utters
whatever comes into his head, and about any persons; this makes my son
laugh, and amuses him, for Noce has wit and can do this pleasantly,
enough. His father was under-governor to my son, who has thus been
accustomed from his infancy to this wicked rascal, and who is very fond
of him. I do not know for what reason, for he is a person who fears
neither God nor man, and has not a single good point about him; he is
green, black, and deep yellow; he is ten years older than my son; it is
incredible how many, millions this mercenary rogue has drawn from him.
Madame de Berri has told me that Broglie's jokes consist only in saying
openly, the most horrible things. The Broglii are of Italian extraction,
but have been long settled in France. There were three brothers, the
elder of whom died in the army; the second was an Abbe, but he cast aside
his gown, and he is the knave of whom I have been speaking. The third is
still serving in the army, and, according to common report, is one of the
best gentlemen in the world. My, son does not like him so well as his
good-for-nothing brother, because he is too serious, and would not become
his buffoon. My son excuses himself by saying that when he quits
business he wants something to make him laugh, and that young Broglie is
not old enough for this; that if he had a confidential business, or a
warlike expedition to perform, he would prefer him; but that for laughing
and dissipation of all sorts, his elder brother is more fit.
My son has three natural children, two boys and a girl, of whom only one
has been legitimated; that is his son by Mademoiselle de Seri,
[N. de Seri de la Boissiere; the father had been ambassador in
Holland. Mademoiselle de Seri was the Regent's first mistress; he
gave her the title of Comtesse d'Argenton. Her son, the Chevalier
d'Orleans, was Grand-Prieur of France.]
who was my Maid of Honour; she was genteel and gay, but not pretty nor of
a good figure. This son was called the Chevalier d'Orleans. The other,
who is now a lad of eighteen years, is the Abbe de Saint Albin; he had
this child by Florence, an opera dancer, of a very neat figure, but a
fool; although to look at her pretty face one would not have thought so.
She is since dead. The third of my son's illegitimate children is a girl
of fourteen years old, whom he had by Desmarets, an actress, who is still
on the stage. This child has been educated at a convent at Saint Denis,
but has not much inclination for a monastic life. When my son sent for
her she did not know who she was.
Desmarets wanted to lay another child to my son's account; but he
replied, "No, that child is too much of a harlequin."
When some one asked him what he meant, he said it was of so many
different pieces, and therefore he renounced it.
I do not know whether the mother did not afterwards give it to the
Elector of Bavaria, who had some share in it, and who sacrificed to her
the most beautiful snuff-box that ever was seen; it was covered with
large diamonds.
My first son was called the Duc de Valois; but as this name was one of
evil omen
[Alesandre-Louis d'Orleans, Duc de Valois, died an infant on the
16th of March, 1676; the Regent was born on the 4th of August, 1674.
It is unnecessary to mention the unhappy ends of Henri III. and of
the three Kings, his sons, who all died without issue.]
Monsieur would not suffer my other son to be called so; he took,
therefore, the title of Duc de Chartres. After Monsieur's death my son
took the name of Orleans, and his son that of Chartres.
My son is too much prejudiced in favour of his nation; and although he
sees daily that his countrymen are false and treacherous, he believes
there is no nation comparable to them. He is not very lavish of his
praise; and when he does approve of anything his sincerity gives it an
additional value.
As he is now in his forty-second year the people of Paris do not forgive
him for running about at balls, like a young fool, for the amusement of
women, when he has the cares of the kingdom upon his shoulders. When the
late King ascended the throne he had reason to take his diversion; it is
not so now. Night and day it is necessary to labour in order to repair
the mischief which the late King, or rather his Ministers, did to the
country.
When my son gently reproached that old Maintenon for having maligned him,
and asked her to put her hand upon her heart, and say whether her
calumnies were true, she replied, "I said it because I believed it."
My son replied, "You could not believe it, because you knew the
contrary."
She said arrogantly, and yet my son kept his temper, "Is not the Dauphine
dead?"
"Is it my fault," he rejoined, "that she is dead? Was she immortal?"
"Well," she replied, "I was so much distressed at the loss that I could
not help detesting him whom I was told was the cause of it."
"But, Madame," said my son, "you know, from the report which has been
made to the King, that I was not the cause, and that the Dauphine was not
poisoned."
"I do know it," she replied, "and I will say nothing more about it."
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The Complete Plays of Gilbert and Sullivan Sections: 50 What's this? Table of Contents |
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