Section 8 of 36 - Table of Contents
IV By nine o'clock the noisy chicken supper had ended; the table had been cleared; Jim Hastings was tuning his fiddle in the big room; Eve had seated herself before the battered melodeon. "Ladies and gents," said Clinch in his clear, pleasant voice, which carried through the hubbub, "we're going to have dance -- thanks and beholden to Jim Hastings and my daughter Eve. Eve, she don't drink and she don't dance, so no use askin' and no hard feelin' toward nobody. "So act up pleasant to one and all and have a good time and no rough stuff in no form, shape, or manner, but behave like gents all and swell dames, like you was to a swarry on Fifth Avenue. Let's go!" He went back to the pantry, taking no notice of the cheering. The fiddler scraped a fox trot, and Eve's melodeon joined in. A vast scuffling of heavily shod feet filled the momentary silence, accented by the shrill giggle of young girls. "They're off," remarked Clinch to Smith, who stood at the pantry shelf prepared to serve whiskey or beer upon previous receipt of payment. In the event of a sudden raid, the arrangements at Clinch's were quite simple. Two large drain pipes emerged from the kitchen floor beside Smith, and ended in Star Pond. In case of alarm the tub of beer was poured down one pipe; the whiskey down the other. Only the trout in Star Pond would ever sample that hootch again. Clinch, now slightly intoxicated, leaned heavily on the pantry shelf beside Smith, adjusting his pistol under his suspenders. "Young fella," he said in his agreeable voice, "you're dead right. You sure said a face-full when you says to me, `Eve's a lady, by God!' _You_ oughta know. You was a gentleman yourself once. Even if you take to stickin' up the turn. She _is_ a lady. All I'm livin' for is to get her down to the city and give her money to live like a lady. I'll do it yet. ... Soon! ... I'd do it to-morrow -- to-night -- if I dared ... If I thought it sure fire. ... If I was dead certain I could get away with it. ... I've _got_ money, _Now!_ ... Only it ain't in _money_ ... Smith?" "Yes, Mike." "You know me?" "Sure." "You size me up?" "I do." "All right. If you ever tell anyone I got money that ain't money I'll shoot you through the head." "Don't worry, Clinch." "I ain't. You're a crook; you won't talk. You're a gentleman, too. _They_ don't sell out a pal. Say, Hal, there's only one fella I don't want to meet." "Who's that, Mike?" "Lemme tell you," continued Clinch, resting more heavily on the shelf while Smith, looking out through the pantry shutter at the dancing, listened intently. "When I was in France in a Forestry Rig'ment," went on Clinch, lowering his always pleasant voice, "I was to Paris on leave a few days before they sent us home." "I was in the washroom of a caffy -- a-cleanin' up for supper, when dod-bang! into the place comes a-tumblin' a man with two cops pushing and kicking him. "They didn't see me in there for they locked the door on the man. He was a swell gent, too, in full dress and silk hat and all like that, and a opry cloak and white kid gloves, and mustache and French beard. "When they locked him up he stood stock still and lit a cigarette, as cool as ice. Then he begun walkin' around looking for a way to get out; but there wasn't no way. "Then he seen me and over he comes and talks English right away: `Want to make a thousand francs, soldier?' sez he in a quick whisper. `You're on,' sez I; `Show your dough.' `Them Flies has went to get the Commissaire for to frisk me,' sez he. `Go to 13 roo Quinze Octobre and give it to the concierge for Jose Quintana.' And he shoves the packet on me and a thousand-franc note. "Then he grabs me sudden and pulls open my collar. God, he was strong. "`What's the matter with you?' says I. `Lemme go or I'll mash your mug flat.' `Lemme see your identification disc,' he barks. "Bein' in Paris for a bat, I had exchanged with my bunkie, Bill Hanson. `Let him look,' thinks I; and he reads Bill's check. "`If you fool me,' says he, 'I'll folly ye and I'll do you in if it takes the rest of my life. You understand?' `Sure,' says I, me tongue in me cheek. `Bong! Alez vouz en!' says he. "`How the hell,' sez I, `do I get out of here?' `You're a Yankee soldier. The Flies don't know you were in here. You go and kick on that door and make a holler.' "So I done it good; and a cope opens and swears at me, but when he sees a Yankee soldier was locked in the wash-room by mistake, he lets me out, you bet." Clinch smiled a thin smile, poured out three fingers of hooch. "What else?" asked Smith quietly. "Nothing much. I didn't go to no roo Quinze Octobre. But I don't never want to see that fella Quintana. I've been waiting till it's safe to sell -- what was in that packet." "Sell what?" "What was in that packet," replied Clinch thickly. "What was in it?" "Sparklers -- since you're so nosey." "Diamonds?" "And then some. I dunno what they're called. All I know is I'll croak Quintana if he even turns up askin' for 'em. He frisked somebody. I frisked him. I'll kill anybody who tries to frisk me." "Where do you keep them?" enquired Smith naively. Clinch looked at him, very drunk: "None o' your dinged business," he said very softly. The dancing had become boisterous but not unseemly, although all the men had been drinking too freely. Smith closed the pantry bar at midnight, by direction of Eve. Now he came out into the ballroom and mixed affably with the company, even dancing with Harvey Chase's sister once -- a slender hoyden, all flushed and dishevelled, with a tireless mania for dancing which seemed to intoxicate her. She danced, danced, danced, accepting any partner offered. But Smith's skill enraptured her and she refused to let him go when her beau, a late arrival, one Charly Berry, slouched up to claim her. Smith, always trying to keep Clinch and Quintana's men in view, took no part in the discussion; but Berry thought he was detaining Lily Chase and pushed him aside. "Hold on, young man!" exclaimed Smith sharply. "Keep your hands to yourself. If your girl don't want to dance with you she doesn't have to." Some of Quintana's gag came up to listen. Berry glared at Smith. "Say," he said, "I seen you before somewhere. Wasn't you in Russia?" "What are you talking about?" "Yes, you was. You was an officer! What you doing at Clinch's?" "What's that?" growled Clinch, shoving his way forward and shouldering the crowd aside. "Who's this man, Mike?" demanded Berry. "Well, who do you think he is?" asked Clinch thickly. "I think he's gettin' the goods on you, that's what I think," yelled Berry. "G'wan home, Charlie," returned Clinch. "G'wan, all o'you. The dance is over. Go peaceable, every one. Stop that fiddle!" The music ceased. The dance was ended; they all understood that; but there was grumbling and demands for drinks. Clinch, drunk but impassive, herded them through the door out into the starlight. There was scuffling, horse-play, but no fighting. The big Englishman, Harry Beck, asked for accommodations for his part over night. "Naw," said Clinch, "g'wan back to the Inn. I can't bother with you folks to-night." And as the others, Salzar, Georgiades, Picquet and Sanchez gathered about to insist, Clinch pushed them all out of doors in a mass. "Get the hell out o' here!" he growled; and slammed the door. He stood for a moment with head lowered, drunk, but apparently capable of reflection. Eve came from the melodeon and laid one slim hand on his arm. "Go to bed, girlie," he said, not looking past her. "You also, dad." "No. ... I got business with Hal Smith." Passing Smith, the girl whispered: "You look out for him and undress him." Smith nodded, gravely preoccupied with coming events, and nerving himself to meet them. He had no gun. Clinch's big automatic bulged under his armpit. When the girl had ascended the creaking stairs and her door, above, closed, Clinch walked unsteadily to the door, opened it, fished out his pistol. "Come on out," he said without turning. "Where?" enquired Smith. Clinch turned, lifted his square head; and the deadly glare in his eyes left Smith silent. "You comin?" "Sure," said Smith quietly. But Clinch gave him no chance to close in: it was death even to swerve. Smith walked slowly out into the starlight, ahead of Clinch -- slowly forward in the luminous darkness. "Keep going," came Clinch's quiet voice behind him. And, after they had entered the woods, -- "Bear to the right." Smith knew now. The low woods were full of sink-holes. They were headed for the nearest one. * * * * * On the edge of the thing they halted. Smith turned and faced Clinch. "What's the idea?" he asked without a quaver. "Was you in Roosia?" "Yes." "Was you an officer?" "I was." "Then you're spyin'. You're a cop." "You're mistaken." "Ah, don't had me none like that. You're a State Trooper or a Secret Service guy, or a plain, dirty cop. And I'm a-going to croak you." "I'm not in any service, now." "Wasn't you an army officer?" "Yes. Can't an officer go wrong?" "Soft stuff. Don't feed it to me. I told you too much anyway. I was babblin' drunk. I'm drunk now, but I got sense. D'you think I'll run chances of sittin' in State's Prison for the next ten years and leave Eve out here alone? No. I gotta shoot you, Smith. And I'm a-going to do it. G'wan and say what you want ... if you think there's some kind o' god you can square before you croak." "If you go to the chair for murder, what good will it do Eve?" asked Smith. His lips were crackling dry; he moistened them. "Sink holes don't talk," said Clinch. "G'wan and square yourself, if you're the church kind." "Clinch," said Smith unsteadily, "if you kill me now you're as good as dead yourself. Quintana is here." "Say, don't hand me that," retorted Clinch. "Do you square yourself or no?" "I tell you Quintana's gang were at the dance to-night -- Picquet, Salzar, Georgiades, Sard, Beck, Jose Sanchez -- the one who looks like a French priest. Maybe he had a beard when you saw him in that cafe wash-room----" "What!" shouted Clinch in sudden fury. "What yeh talkin' about, you poor dumb dingo! Yeh fixin' to scare me? What do _you_ know about Quintana? Are you one of Quintana's gang, too? Is that what you're up to, hidin' out at Star Pond. Come on, out with it! I'll have it all out of you now, Hal Smith, before I plug you----" He came lurching forward, swinging his heavy pistol as though he meant to brain his victim, but he halted after the first step or two and stood there, a shadowy bulk, growling, enraged, undecided. And, as Smith looked at him, two shadows detached themselves from the trees behind Clinch -- silently -- silently glided behind -- struck in utter silence. Down crashed Clinch, black-jacked, his face in the ooze. His pistol flew from his hand, struck Smith's leg; and Smith had it at the same instance and turned it like lightning on the murderous shadows. "Hands up! Quick!" he cried, at bay now, and his back to the sink-hole. Pistol levelled, he bent one knee, pushed Clinch over on his back, lest the ooze suffocate him. "Now," he said coolly, "what do you bums want out of Mike Clinch?" "Who are you?" came a sullen voice. "This is none o' your bloody business. We want Clinch, not you." "What do you want of Clinch?" "Take your gun off us!" "Answer, or I'll let go at you. What do you want of Clinch?" "Money. What do you think?" "You're here to stick up Clinch?" enquired Smith. "Yes. What's that to you?" "What has Clinch done to you?" "He stuck _us_ up, that's what! Now, are you going to keep out of this?" "No." "We ain't going to hurt Clinch." "You bet you're not. Where's the rest of your gang?" "What gang?" "Quintana's," said Smith, laughing. A wild exhilaration possessed him. His flanks and rear were protected by the sink-hole. He had Quintana's gang -- two of them -- over his pistol. "Turn your backs and sit down," he said. As the shadowy forms hesitated, he picked up a stick and hurled it at them. They sat down hastily, hands up, backs toward him. "You'll both die where you sit," remarked Smith, "if you yell for help." Clinch sighed heavily, stirred, groped on the damp leaves with his hands. "I say," began the voice which Smith identified as Harry Beck's, "if you'll come in with us on this it will pay you, young man." "No," drawled Smith, "I'll go it alone." "It can't be done, old dear. You'll see if you try it on." "Who'll stop me? Quintana?" "Come," urged Beck, "and be a good pal. You can't manage it alone. We've got all night to make Clinch talk. I now how, too. You'll get your share----" "Oh, stow it," said Smith, watching Clinch, who was reviving. He sat up presently, and put both hands over his head. Smith touched him silently on the shoulder and he turned his heavy, square head in a dazed way. Blood striped his visage. He gazed dully at Smith for a little while, then, seeming to recollect, the old glare began to light his pale eyes. The next instant, however, Beck spoke again, and Clinch turned in astonishment and saw the two figures sitting there with backs toward Smith and hands up. Clinch stared at the squatting forms, then slowly moved his head and looked at Smith and his levelled pistol. "We know how to make a man squeal," said Harry Beck suddenly. "He'll talk. We can make Clinch talk, no fear! Leave it to us, old pal. Are you with us?" He started to look around over his shoulder and Smith hurled another stick and hit him in the face. "Quiet there, Harry," he said. "What's my share if I go in with you?" "One sixth, same's we all get." "What's it worth?" asked Smith, with a motion of caution toward Clinch. "If I say a million you'll tell me I lie. But it's nearer three -- or you can have my share. Is it a go?" "You'll not hurt Clinch when he comes to?" "We'll make him talk, that's all. It may hurt him some." "You won't kill him?" "I swear by God----" "Wait! Isn't it better to shoot him after he squeals? Here's a lovely sink-hole handy." "Right-o! We'll make him talk first and then shove him in. Are you with us?" "If you turn your head I'll blow the face off you, Harry," said Smith, cautioning Clinch to silence with a gesture. "All right. Only you better make up your mind. That cove is likely to wake up now any time," grumbled Beck. Clinch looked at Smith. The latter smiled, leaned over, and whispered: "Can you walk all right?" Clinch nodded. "Well, we better beat it. Quintana's whole gang is in these woods, somewhere, hunting for you, and they might stumble on us here, at any moment." And, to the two men in front: "Lie down flat on your faces. Don't stir; don't speak; or it's you for the sink-hole. ... Lie down, I tell you! That's it. Don't move till I tell you to." Clinch got up from where he was sitting, cast one murderous glance at the prostrate forms, then followed Smith, noiselessly, over the stretch of sphagnum moss. * * * * * When they reached the house they saw Eve standing on the steps in her night-dress and bare feet, holding a lantern. "Daddy," she whimpered, "I was frightened. I didn't know where you had gone----" Clinch put his arm around her, turned his bloody face and looked at Smith. "It's _this,_" he said, "that I ain't forgetting, young fella. What you done for me you done for _her._ "I gotta live to make a lady of her. That's why," he added thickly, "I'm much obliged to you, Hal Smith. ... Get to bed, girlie----" "You're bleeding, dad?" "Aw, a twig scratched me. I been in the woods with Hal. G'wan to bed." He went to the sink and washed his face, dried it, kissed the girl, and gave her a gentle shove toward the stairs. "Hal and I is sittin' up talkin' business," he remarked, bolting the door and all the shutters. * * * * * When the girl had gone, Clinch went to a closet and brought back two Winchester rifles, two shot guns, and a box of ammunition. "Goin' to see it out with me, Hal?" "Sure," smiled Smith. "Aw' right. Have a drink?" "No." "Aw' right. Where'll you set?" "Anywhere." "Aw' right. Set over there. They may try the back porch. I'll jest set here a spell, n'then I'll kind er mosey 'round. ... Plug the first fella that tries a shutter, Hal." "You bet." Clinch came over and held out his hand. "You said a face-full that time when you says to me, `Clinch,' you says, `Eve _is_ a lady.' ... I gotta fix her up. I gotta be alive to do it. ... That's why I'm greatly obliged to yeh, Hal." He took his rifle and walked slowly toward the pantry. "You bet," he muttered, "she _is_ a lady, so help me God." * * * * * Episode Three On Star Peak * * * * *Prev Next All
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