BLOOM: Don't ask me! Our mutual faith. Pleasants street. I only thought
the half of the ... I swear on my sacred oath ...
BELLO: (PEREMPTORILY) Answer. Repugnant wretch! I insist on knowing. Tell
me something to amuse me, smut or a bloody good ghoststory or a line of
poetry, quick, quick, quick! Where? How? What time? With how many? I give
you just three seconds. One! Two! Thr ...
BLOOM: (DOCILE, GURGLES) I rererepugnosed in rerererepugnant
BELLO: (IMPERIOUSLY) O, get out, you skunk! Hold your tongue! Speak when
you're spoken to.
BLOOM: (BOWS) Master! Mistress! Mantamer!
(HE LIFTS HIS ARMS. HIS BANGLE BRACELETS FILL.)
BELLO: (SATIRICALLY) By day you will souse and bat our smelling
underclothes also when we ladies are unwell, and swab out our latrines
with dress pinned up and a dishclout tied to your tail. Won't that be
nice? (HE PLACES A RUBY RING ON HER FINGER) And there now! With this ring
I thee own. Say, thank you, mistress.
BLOOM: Thank you, mistress.
BELLO: You will make the beds, get my tub ready, empty the pisspots in
the different rooms, including old Mrs Keogh's the cook's, a sandy one.
Ay, and rinse the seven of them well, mind, or lap it up like champagne.
Drink me piping hot. Hop! You will dance attendance or I'll lecture you
on your misdeeds, Miss Ruby, and spank your bare bot right well, miss,
with the hairbrush. You'll be taught the error of your ways. At night
your wellcreamed braceletted hands will wear fortythreebutton gloves
newpowdered with talc and having delicately scented fingertips. For such
favours knights of old laid down their lives. (HE CHUCKLES) My boys will
be no end charmed to see you so ladylike, the colonel, above all, when
they come here the night before the wedding to fondle my new attraction
in gilded heels. First I'll have a go at you myself. A man I know on the
turf named Charles Alberta Marsh (I was in bed with him just now and
another gentleman out of the Hanaper and Petty Bag office) is on the
lookout for a maid of all work at a short knock. Swell the bust. Smile.
Droop shoulders. What offers? (HE POINTS) For that lot. Trained by owner
to fetch and carry, basket in mouth. (HE BARES HIS ARM AND PLUNGES IT
ELBOWDEEP IN BLOOM'S VULVA) There's fine depth for you! What, boys? That
give you a hardon? (HE SHOVES HIS ARM IN A BIDDER'S FACE) Here wet the
deck and wipe it round!
A BIDDER: A florin.
(DILLON'S LACQUEY RINGS HIS HANDBELL.)
THE LACQUEY: Barang!
A VOICE: One and eightpence too much.
CHARLES ALBERTA MARSH: Must be virgin. Good breath. Clean.
BELLO: (GIVES A RAP WITH HIS GAVEL) Two bar. Rockbottom figure and cheap
at the price. Fourteen hands high. Touch and examine his points. Handle
him. This downy skin, these soft muscles, this tender flesh. If I had
only my gold piercer here! And quite easy to milk. Three newlaid gallons
a day. A pure stockgetter, due to lay within the hour. His sire's milk
record was a thousand gallons of whole milk in forty weeks. Whoa my
jewel! Beg up! Whoa! (HE BRANDS HIS INITIAL C ON BLOOM'S CROUP) So!
Warranted Cohen! What advance on two bob, gentlemen?
A DARKVISAGED MAN: (IN DISGUISED ACCENT) Hoondert punt sterlink.
VOICES: (SUBDUED) For the Caliph. Haroun Al Raschid.
BELLO: (GAILY) Right. Let them all come. The scanty, daringly short
skirt, riding up at the knee to show a peep of white pantalette, is a
potent weapon and transparent stockings, emeraldgartered, with the long
straight seam trailing up beyond the knee, appeal to the better instincts
of the BLASE man about town. Learn the smooth mincing walk on four inch
Louis Quinze heels, the Grecian bend with provoking croup, the thighs
fluescent, knees modestly kissing. Bring all your powers of fascination
to bear on them. Pander to their Gomorrahan vices.
BLOOM: (BENDS HIS BLUSHING FACE INTO HIS ARMPIT AND SIMPERS WITH
FOREFINGER IN MOUTH) O, I know what you're hinting at now!
BELLO: What else are you good for, an impotent thing like you? (HE STOOPS
AND, PEERING, POKES WITH HIS FAN RUDELY UNDER THE FAT SUET FOLDS OF
BLOOM'S HAUNCHES) Up! Up! Manx cat! What have we here? Where's your curly
teapot gone to or who docked it on you, cockyolly? Sing, birdy, sing.
It's as limp as a boy of six's doing his pooly behind a cart. Buy a
bucket or sell your pump. (LOUDLY) Can you do a man's job?
BLOOM: Eccles street ...
BELLO: (SARCASTICALLY) I wouldn't hurt your feelings for the world but
there's a man of brawn in possession there. The tables are turned, my gay
young fellow! He is something like a fullgrown outdoor man. Well for you,
you muff, if you had that weapon with knobs and lumps and warts all over
it. He shot his bolt, I can tell you! Foot to foot, knee to knee, belly
to belly, bubs to breast! He's no eunuch. A shock of red hair he has
sticking out of him behind like a furzebush! Wait for nine months, my
lad! Holy ginger, it's kicking and coughing up and down in her guts
already! That makes you wild, don't it? Touches the spot? (HE SPITS IN
CONTEMPT) Spittoon!
BLOOM: I was indecently treated, I ... Inform the police. Hundred pounds.
Unmentionable. I ...
BELLO: Would if you could, lame duck. A downpour we want not your
drizzle.
BLOOM: To drive me mad! Moll! I forgot! Forgive! Moll ... We ... Still
...
BELLO: (RUTHLESSLY) No, Leopold Bloom, all is changed by woman's will
since you slept horizontal in Sleepy Hollow your night of twenty years.
Return and see.
(OLD SLEEPY HOLLOW CALLS OVER THE WOLD.)
SLEEPY HOLLOW: Rip van Wink! Rip van Winkle!
BLOOM: (IN TATTERED MOCASSINS WITH A RUSTY FOWLINGPIECE, TIPTOEING,
FINGERTIPPING, HIS HAGGARD BONY BEARDED FACE PEERING THROUGH THE DIAMOND
PANES, CRIES OUT) I see her! It's she! The first night at Mat Dillon's!
But that dress, the green! And her hair is dyed gold and he ...
BELLO: (LAUGHS MOCKINGLY) That's your daughter, you owl, with a Mullingar
student.
(MILLY BLOOM, FAIRHAIRED, GREENVESTED, SLIMSANDALLED, HER BLUE SCARF IN
THE SEAWIND SIMPLY SWIRLING, BREAKS FROM THE ARMS OF HER LOVER AND CALLS,
HER YOUNG EYES WONDERWIDE.)
MILLY: My! It's Papli! But, O Papli, how old you've grown!
BELLO: Changed, eh? Our whatnot, our writingtable where we never wrote,
aunt Hegarty's armchair, our classic reprints of old masters. A man and
his menfriends are living there in clover. The CUCKOOS' REST! Why not?
How many women had you, eh, following them up dark streets, flatfoot,
exciting them by your smothered grunts, what, you male prostitute?
Blameless dames with parcels of groceries. Turn about. Sauce for the
goose, my gander O.
BLOOM: They ... I ...
BELLO: (CUTTINGLY) Their heelmarks will stamp the Brusselette carpet you
bought at Wren's auction. In their horseplay with Moll the romp to find
the buck flea in her breeches they will deface the little statue you
carried home in the rain for art for art' sake. They will violate the
secrets of your bottom drawer. Pages will be torn from your handbook of
astronomy to make them pipespills. And they will spit in your ten
shilling brass fender from Hampton Leedom's.
BLOOM: Ten and six. The act of low scoundrels. Let me go. I will return.
I will prove ...
A VOICE: Swear!
(BLOOM CLENCHES HIS FISTS AND CRAWLS FORWARD, A BOWIEKNIFE BETWEEN HIS
TEETH.)
BELLO: As a paying guest or a kept man? Too late. You have made your
secondbest bed and others must lie in it. Your epitaph is written. You
are down and out and don't you forget it, old bean.
BLOOM: Justice! All Ireland versus one! Has nobody ...? (HE BITES HIS
THUMB)
BELLO: Die and be damned to you if you have any sense of decency or grace
about you. I can give you a rare old wine that'll send you skipping to
hell and back. Sign a will and leave us any coin you have! If you have
none see you damn well get it, steal it, rob it! We'll bury you in our
shrubbery jakes where you'll be dead and dirty with old Cuck Cohen, my
stepnephew I married, the bloody old gouty procurator and sodomite with a
crick in his neck, and my other ten or eleven husbands, whatever the
buggers' names were, suffocated in the one cesspool. (HE EXPLODES IN A
LOUD PHLEGMY LAUGH) We'll manure you, Mr Flower! (HE PIPES SCOFFINGLY)
Byby, Poldy! Byby, Papli!
BLOOM: (CLASPS HIS HEAD) My willpower! Memory! I have sinned! I have suff
...
(HE WEEPS TEARLESSLY)
BELLO: (SNEERS) Crybabby! Crocodile tears!
(BLOOM, BROKEN, CLOSELY VEILED FOR THE SACRIFICE, SOBS, HIS FACE TO THE
EARTH. THE PASSING BELL IS HEARD. DARKSHAWLED FIGURES OF THE CIRCUMCISED,
IN SACKCLOTH AND ASHES, STAND BY THE WAILING WALL. M. SHULOMOWITZ, JOSEPH
GOLDWATER, MOSES HERZOG, HARRIS ROSENBERG, M. MOISEL, J. CITRON, MINNIE
WATCHMAN, P. MASTIANSKY, THE REVEREND LEOPOLD ABRAMOVITZ, CHAZEN. WITH
SWAYING ARMS THEY WAIL IN PNEUMA OVER THE RECREANT BLOOM.)
THE CIRCUMCISED: (IN DARK GUTTURAL CHANT AS THEY CAST DEAD SEA FRUIT UPON
HIM, NO FLOWERS) SHEMA ISRAEL ADONAI ELOHENU ADONAI ECHAD.
VOICES: (SIGHING) So he's gone. Ah yes. Yes, indeed. Bloom? Never heard
of him. No? Queer kind of chap. There's the widow. That so? Ah, yes.
(FROM THE SUTTEE PYRE THE FLAME OF GUM CAMPHIRE ASCENDS. THE PALL OF
INCENSE SMOKE SCREENS AND DISPERSES. OUT OF HER OAKFRAME A NYMPH WITH
HAIR UNBOUND, LIGHTLY CLAD IN TEABROWN ARTCOLOURS, DESCENDS FROM HER
GROTTO AND PASSING UNDER INTERLACING YEWS STANDS OVER BLOOM.)
THE YEWS: (THEIR LEAVES WHISPERING) Sister. Our sister. Ssh!
THE NYMPH: (SOFTLY) Mortal! (KINDLY) Nay, dost not weepest!
BLOOM: (CRAWLS JELLILY FORWARD UNDER THE BOUGHS, STREAKED BY SUNLIGHT,
WITH DIGNITY) This position. I felt it was expected of me. Force of
habit.
THE NYMPH: Mortal! You found me in evil company, highkickers, coster
picnicmakers, pugilists, popular generals, immoral panto boys in
fleshtights and the nifty shimmy dancers, La Aurora and Karini, musical
act, the hit of the century. I was hidden in cheap pink paper that smelt
of rock oil. I was surrounded by the stale smut of clubmen, stories to
disturb callow youth, ads for transparencies, truedup dice and bustpads,
proprietary articles and why wear a truss with testimonial from ruptured
gentleman. Useful hints to the married.
BLOOM: (LIFTS A TURTLE HEAD TOWARDS HER LAP) We have met before. On
another star.
THE NYMPH: (SADLY) Rubber goods. Neverrip brand as supplied to the
aristocracy. Corsets for men. I cure fits or money refunded. Unsolicited
testimonials for Professor Waldmann's wonderful chest exuber. My bust
developed four inches in three weeks, reports Mrs Gus Rublin with photo.
BLOOM: You mean PHOTO BITS?
THE NYMPH: I do. You bore me away, framed me in oak and tinsel, set me
above your marriage couch. Unseen, one summer eve, you kissed me in four
places. And with loving pencil you shaded my eyes, my bosom and my shame.
BLOOM: (HUMBLY KISSES HER LONG HAIR) Your classic curves, beautiful
immortal, I was glad to look on you, to praise you, a thing of beauty,
almost to pray.
THE NYMPH: During dark nights I heard your praise.
BLOOM: (QUICKLY) Yes, yes. You mean that I ... Sleep reveals the worst
side of everyone, children perhaps excepted. I know I fell out of bed or
rather was pushed. Steel wine is said to cure snoring. For the rest there
is that English invention, pamphlet of which I received some days ago,
incorrectly addressed. It claims to afford a noiseless, inoffensive vent.
(HE SIGHS) 'Twas ever thus. Frailty, thy name is marriage.
THE NYMPH: (HER FINGERS IN HER EARS) And words. They are not in my
dictionary.
BLOOM: You understood them?
THE YEWS: Ssh!
THE NYMPH: (COVERS HER FACE WITH HER HANDS) What have I not seen in that
chamber? What must my eyes look down on?
BLOOM: (APOLOGETICALLY) I know. Soiled personal linen, wrong side up with
care. The quoits are loose. From Gibraltar by long sea long ago.
THE NYMPH: (BENDS HER HEAD) Worse, worse!
BLOOM: (REFLECTS PRECAUTIOUSLY) That antiquated commode. It wasn't her
weight. She scaled just eleven stone nine. She put on nine pounds after
weaning. It was a crack and want of glue. Eh? And that absurd orangekeyed
utensil which has only one handle.
(THE SOUND OF A WATERFALL IS HEARD IN BRIGHT CASCADE.)
THE WATERFALL:
Poulaphouca Poulaphouca
Poulaphouca Poulaphouca.
THE YEWS: (MINGLING THEIR BOUGHS) Listen. Whisper. She is right, our
sister. We grew by Poulaphouca waterfall. We gave shade on languorous
summer days.
JOHN WYSE NOLAN: (IN THE BACKGROUND, IN IRISH NATIONAL FORESTER'S
UNIFORM, DOFFS HIS PLUMED HAT) Prosper! Give shade on languorous days,
trees of Ireland!
THE YEWS: (MURMURING) Who came to Poulaphouca with the High School
excursion? Who left his nutquesting classmates to seek our shade?
BLOOM: (SCARED) High School of Poula? Mnemo? Not in full possession of
faculties. Concussion. Run over by tram.
THE ECHO: Sham!
BLOOM: (PIGEONBREASTED, BOTTLESHOULDERED, PADDED, IN NONDESCRIPT JUVENILE
GREY AND BLACK STRIPED SUIT, TOO SMALL FOR HIM, WHITE TENNIS SHOES,
BORDERED STOCKINGS WITH TURNOVER TOPS AND A RED SCHOOLCAP WITH BADGE) I
was in my teens, a growing boy. A little then sufficed, a jolting car,
the mingling odours of the ladies' cloakroom and lavatory, the throng
penned tight on the old Royal stairs (for they love crushes, instinct of
the herd, and the dark sexsmelling theatre unbridles vice), even a
pricelist of their hosiery. And then the heat. There were sunspots that
summer. End of school. And tipsycake. Halcyon days.
(HALCYON DAYS, HIGH SCHOOL BOYS IN BLUE AND WHITE FOOTBALL JERSEYS AND
SHORTS, MASTER DONALD TURNBULL, MASTER ABRAHAM CHATTERTON, MASTER OWEN
GOLDBERG, MASTER JACK MEREDITH, MASTER PERCY APJOHN, STAND IN A CLEARING
OF THE TREES AND SHOUT TO MASTER LEOPOLD BLOOM.)
THE HALCYON DAYS: Mackerel! Live us again. Hurray! (THEY CHEER)
BLOOM: (HOBBLEDEHOY, WARMGLOVED, MAMMAMUFFLERED, STARRED WITH SPENT
SNOWBALLS, STRUGGLES TO RISE) Again! I feel sixteen! What a lark! Let's
ring all the bells in Montague street. (HE CHEERS FEEBLY) Hurray for the
High School!
THE ECHO: Fool!
THE YEWS: (RUSTLING) She is right, our sister. Whisper. (WHISPERED KISSES
ARE HEARD IN ALL THE WOOD. FACES OF HAMADRYADS PEEP OUT FROM THE BOLES
AND AMONG THE LEAVES AND BREAK, BLOSSOMING INTO BLOOM.) Who profaned our
silent shade?
THE NYMPH: (COYLY, THROUGH PARTING FINGERS) There? In the open air?
THE YEWS: (SWEEPING DOWNWARD) Sister, yes. And on our virgin sward.
THE WATERFALL:
Poulaphouca Poulaphouca
Phoucaphouca Phoucaphouca.
THE NYMPH: (WITH WIDE FINGERS) O, infamy!
BLOOM: I was precocious. Youth. The fauna. I sacrificed to the god of the
forest. The flowers that bloom in the spring. It was pairing time.
Capillary attraction is a natural phenomenon. Lotty Clarke, flaxenhaired,
I saw at her night toilette through illclosed curtains with poor papa's
operaglasses: The wanton ate grass wildly. She rolled downhill at Rialto
bridge to tempt me with her flow of animal spirits. She climbed their
crooked tree and I ... A saint couldn't resist it. The demon possessed
me. Besides, who saw?
(STAGGERING BOB, A WHITEPOLLED CALF, THRUSTS A RUMINATING HEAD WITH HUMID
NOSTRILS THROUGH THE FOLIAGE.)
STAGGERING BOB: (LARGE TEARDROPS ROLLING FROM HIS PROMINENT EYES,
SNIVELS) Me. Me see.
BLOOM: Simply satisfying a need I ... (WITH PATHOS) No girl would when I
went girling. Too ugly. They wouldn't play ...
(HIGH ON BEN HOWTH THROUGH RHODODENDRONS A NANNYGOAT PASSES,
PLUMPUDDERED, BUTTYTAILED, DROPPING CURRANTS.)
THE NANNYGOAT: (BLEATS) Megeggaggegg! Nannannanny!
BLOOM: (HATLESS, FLUSHED, COVERED WITH BURRS OF THISTLEDOWN AND
GORSESPINE) Regularly engaged. Circumstances alter cases. (HE GAZES
INTENTLY DOWNWARDS ON THE WATER) Thirtytwo head over heels per second.
Press nightmare. Giddy Elijah. Fall from cliff. Sad end of government
printer's clerk. (THROUGH SILVERSILENT SUMMER AIR THE DUMMY OF BLOOM,
ROLLED IN A MUMMY, ROLLS ROTEATINGLY FROM THE LION'S HEAD CLIFF INTO THE
PURPLE WAITING WATERS.)
THE DUMMYMUMMY: Bbbbblllllblblblblobschbg!
(FAR OUT IN THE BAY BETWEEN BAILEY AND KISH LIGHTS THE Erin's King SAILS,
SENDING A BROADENING PLUME OF COALSMOKE FROM HER FUNNEL TOWARDS THE
LAND.)
COUNCILLOR NANNETII: (ALONE ON DECK, IN DARK ALPACA, YELLOWKITEFACED, HIS
HAND IN HIS WAISTCOAT OPENING, DECLAIMS) When my country takes her place
among the nations of the earth, then, and not till then, let my epitaph
be written. I have ...
BLOOM: Done. Prff!
THE NYMPH: (LOFTILY) We immortals, as you saw today, have not such a
place and no hair there either. We are stonecold and pure. We eat
electric light. (SHE ARCHES HER BODY IN LASCIVIOUS CRISPATION, PLACING
HER FOREFINGER IN HER MOUTH) Spoke to me. Heard from behind. How then
could you ...?
BLOOM: (PAWING THE HEATHER ABJECTLY) O, I have been a perfect pig. Enemas
too I have administered. One third of a pint of quassia to which add a
tablespoonful of rocksalt. Up the fundament. With Hamilton Long's
syringe, the ladies' friend.
THE NYMPH: In my presence. The powderpuff. (SHE BLUSHES AND MAKES A KNEE)
And the rest!
BLOOM: (DEJECTED) Yes. PECCAVI! I have paid homage on that living altar
where the back changes name. (WITH SUDDEN FERVOUR) For why should the
dainty scented jewelled hand, the hand that rules ...?
(FIGURES WIND SERPENTING IN SLOW WOODLAND PATTERN AROUND THE TREESTEMS,
COOEEING)
THE VOICE OF KITTY: (IN THE THICKET) Show us one of them cushions.
THE VOICE OF FLORRY: Here.
(A GROUSE WINGS CLUMSILY THROUGH THE UNDERWOOD.)
THE VOICE OF LYNCH: (IN THE THICKET) Whew! Piping hot!
THE VOICE OF ZOE: (FROM THE THICKET) Came from a hot place.
THE VOICE OF VIRAG: (A BIRDCHIEF, BLUESTREAKED AND FEATHERED IN WAR
PANOPLY WITH HIS ASSEGAI, STRIDING THROUGH A CRACKLING CANEBRAKE OVER
BEECHMAST AND ACORNS) Hot! Hot! Ware Sitting Bull!
BLOOM: It overpowers me. The warm impress of her warm form. Even to sit
where a woman has sat, especially with divaricated thighs, as though to
grant the last favours, most especially with previously well uplifted
white sateen coatpans. So womanly, full. It fills me full.
THE WATERFALL:
Phillaphulla Poulaphouca
Poulaphouca Poulaphouca.
THE YEWS: Ssh! Sister, speak!
THE NYMPH: (EYELESS, IN NUN'S WHITE HABIT, COIF AND HUGEWINGED WIMPLE,
SOFTLY, WITH REMOTE EYES) Tranquilla convent. Sister Agatha. Mount
Carmel. The apparitions of Knock and Lourdes. No more desire. (SHE
RECLINES HER HEAD, SIGHING) Only the ethereal. Where dreamy creamy gull
waves o'er the waters dull.
(BLOOM HALF RISES. HIS BACK TROUSERBUTTON SNAPS.)
THE BUTTON: Bip!
(TWO SLUTS OF THE COOMBE DANCE RAINILY BY, SHAWLED, YELLING FLATLY.)
THE SLUTS:
O, Leopold lost the pin of his drawers
He didn't know what to do,
To keep it up,
To keep it up.
BLOOM: (COLDLY) You have broken the spell. The last straw. If there were
only ethereal where would you all be, postulants and novices? Shy but
willing like an ass pissing.
THE YEWS: (THEIR SILVERFOIL OF LEAVES PRECIPITATING, THEIR SKINNY ARMS
AGING AND SWAYING) Deciduously!
THE NYMPH: (her features hardening, gropes in the folds of her habit)
Sacrilege! To attempt my virtue! (A LARGE MOIST STAIN APPEARS ON HER
ROBE) Sully my innocence! You are not fit to touch the garment of a pure
woman. (SHE CLUTCHES AGAIN IN HER ROBE) Wait. Satan, you'll sing no more
lovesongs. Amen. Amen. Amen. Amen. (SHE DRAWS A PONIARD AND, CLAD IN THE
SHEATHMAIL OF AN ELECTED KNIGHT OF NINE, STRIKES AT HIS LOINS) Nekum!
BLOOM: (STARTS UP, SEIZES HER HAND) Hoy! Nebrakada! Cat o' nine lives!
Fair play, madam. No pruningknife. The fox and the grapes, is it? What do
you lack with your barbed wire? Crucifix not thick enough? (HE CLUTCHES
HER VEIL) A holy abbot you want or Brophy, the lame gardener, or the
spoutless statue of the watercarrier, or good mother Alphonsus, eh
Reynard?
THE NYMPH: (WITH A CRY FLEES FROM HIM UNVEILED, HER PLASTER CAST
CRACKING, A CLOUD OF STENCH ESCAPING FROM THE CRACKS) Poli ...!
BLOOM: (CALLS AFTER HER) As if you didn't get it on the double
yourselves. No jerks and multiple mucosities all over you. I tried it.
Your strength our weakness. What's our studfee? What will you pay on the
nail? You fee mendancers on the Riviera, I read. (THE FLEEING NYMPH
RAISES A KEEN) Eh? I have sixteen years of black slave labour behind me.
And would a jury give me five shillings alimony tomorrow, eh? Fool
someone else, not me. (HE SNIFFS) Rut. Onions. Stale. Sulphur. Grease.
(THE FIGURE OF BELLA COHEN STANDS BEFORE HIM.)
BELLA: You'll know me the next time.
BLOOM: (COMPOSED, REGARDS HER) Passee. Mutton dressed as lamb. Long in
the tooth and superfluous hair. A raw onion the last thing at night would
benefit your complexion. And take some double chin drill. Your eyes are
as vapid as the glasseyes of your stuffed fox. They have the dimensions
of your other features, that's all. I'm not a triple screw propeller.
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The Complete Plays of Gilbert and Sullivan Sections: 50 What's this? Table of Contents |
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