Section 3 of 74 - Table of Contents
They followed the winding path down to the creek. Buck Mulligan stood on
a stone, in shirtsleeves, his unclipped tie rippling over his shoulder. A
young man clinging to a spur of rock near him, moved slowly frogwise his
green legs in the deep jelly of the water.
--Is the brother with you, Malachi?
--Down in Westmeath. With the Bannons.
--Still there? I got a card from Bannon. Says he found a sweet young
thing down there. Photo girl he calls her.
--Snapshot, eh? Brief exposure.
Buck Mulligan sat down to unlace his boots. An elderly man shot up near
the spur of rock a blowing red face. He scrambled up by the stones, water
glistening on his pate and on its garland of grey hair, water rilling
over his chest and paunch and spilling jets out of his black sagging
loincloth.
Buck Mulligan made way for him to scramble past and, glancing at Haines
and Stephen, crossed himself piously with his thumbnail at brow and lips
and breastbone.
--Seymour's back in town, the young man said, grasping again his spur of
rock. Chucked medicine and going in for the army.
--Ah, go to God! Buck Mulligan said.
--Going over next week to stew. You know that red Carlisle girl, Lily?
--Yes.
--Spooning with him last night on the pier. The father is rotto with
money.
--Is she up the pole?
--Better ask Seymour that.
--Seymour a bleeding officer! Buck Mulligan said.
He nodded to himself as he drew off his trousers and stood up, saying
tritely:
--Redheaded women buck like goats.
He broke off in alarm, feeling his side under his flapping shirt.
--My twelfth rib is gone, he cried. I'm the UBERMENSCH. Toothless Kinch
and I, the supermen.
He struggled out of his shirt and flung it behind him to where his
clothes lay.
--Are you going in here, Malachi?
--Yes. Make room in the bed.
The young man shoved himself backward through the water and reached the
middle of the creek in two long clean strokes. Haines sat down on a
stone, smoking.
--Are you not coming in? Buck Mulligan asked.
--Later on, Haines said. Not on my breakfast.
Stephen turned away.
--I'm going, Mulligan, he said.
--Give us that key, Kinch, Buck Mulligan said, to keep my chemise flat.
Stephen handed him the key. Buck Mulligan laid it across his heaped
clothes.
--And twopence, he said, for a pint. Throw it there.
Stephen threw two pennies on the soft heap. Dressing, undressing. Buck
Mulligan erect, with joined hands before him, said solemnly:
--He who stealeth from the poor lendeth to the Lord. Thus spake
Zarathustra.
His plump body plunged.
--We'll see you again, Haines said, turning as Stephen walked up the path
and smiling at wild Irish.
Horn of a bull, hoof of a horse, smile of a Saxon.
--The Ship, Buck Mulligan cried. Half twelve.
--Good, Stephen said.
He walked along the upwardcurving path.
LILIATA RUTILANTIUM.
TURMA CIRCUMDET.
IUBILANTIUM TE VIRGINUM.
The priest's grey nimbus in a niche where he dressed discreetly. I will
not sleep here tonight. Home also I cannot go.
A voice, sweettoned and sustained, called to him from the sea. Turning
the curve he waved his hand. It called again. A sleek brown head, a
seal's, far out on the water, round.
Usurper.
* * * * * * *
--You, Cochrane, what city sent for him?
--Tarentum, sir.
--Very good. Well?
--There was a battle, sir.
--Very good. Where?
The boy's blank face asked the blank window.
Fabled by the daughters of memory. And yet it was in some way if not as
memory fabled it. A phrase, then, of impatience, thud of Blake's wings of
excess. I hear the ruin of all space, shattered glass and toppling
masonry, and time one livid final flame. What's left us then?
--I forget the place, sir. 279 B. C.
--Asculum, Stephen said, glancing at the name and date in the gorescarred
book.
--Yes, sir. And he said: ANOTHER VICTORY LIKE THAT AND WE ARE DONE FOR.
That phrase the world had remembered. A dull ease of the mind. From a
hill above a corpsestrewn plain a general speaking to his officers,
leaned upon his spear. Any general to any officers. They lend ear.
--You, Armstrong, Stephen said. What was the end of Pyrrhus?
--End of Pyrrhus, sir?
--I know, sir. Ask me, sir, Comyn said.
--Wait. You, Armstrong. Do you know anything about Pyrrhus?
A bag of figrolls lay snugly in Armstrong's satchel. He curled them
between his palms at whiles and swallowed them softly. Crumbs adhered to
the tissue of his lips. A sweetened boy's breath. Welloff people, proud
that their eldest son was in the navy. Vico road, Dalkey.
--Pyrrhus, sir? Pyrrhus, a pier.
All laughed. Mirthless high malicious laughter. Armstrong looked round at
his classmates, silly glee in profile. In a moment they will laugh more
loudly, aware of my lack of rule and of the fees their papas pay.
--Tell me now, Stephen said, poking the boy's shoulder with the book,
what is a pier.
--A pier, sir, Armstrong said. A thing out in the water. A kind of a
bridge. Kingstown pier, sir.
Some laughed again: mirthless but with meaning. Two in the back bench
whispered. Yes. They knew: had never learned nor ever been innocent. All.
With envy he watched their faces: Edith, Ethel, Gerty, Lily. Their likes:
their breaths, too, sweetened with tea and jam, their bracelets tittering
in the struggle.
--Kingstown pier, Stephen said. Yes, a disappointed bridge.
The words troubled their gaze.
--How, sir? Comyn asked. A bridge is across a river.
For Haines's chapbook. No-one here to hear. Tonight deftly amid wild
drink and talk, to pierce the polished mail of his mind. What then? A
jester at the court of his master, indulged and disesteemed, winning a
clement master's praise. Why had they chosen all that part? Not wholly
for the smooth caress. For them too history was a tale like any other too
often heard, their land a pawnshop.
Had Pyrrhus not fallen by a beldam's hand in Argos or Julius Caesar not
been knifed to death. They are not to be thought away. Time has branded
them and fettered they are lodged in the room of the infinite
possibilities they have ousted. But can those have been possible seeing
that they never were? Or was that only possible which came to pass?
Weave, weaver of the wind.
--Tell us a story, sir.
--O, do, sir. A ghoststory.
--Where do you begin in this? Stephen asked, opening another book.
--WEEP NO MORE, Comyn said.
--Go on then, Talbot.
--And the story, sir?
--After, Stephen said. Go on, Talbot.
A swarthy boy opened a book and propped it nimbly under the breastwork of
his satchel. He recited jerks of verse with odd glances at the text:
--WEEP NO MORE, WOFUL SHEPHERDS, WEEP NO MORE
FOR LYCIDAS, YOUR SORROW, IS NOT DEAD,
SUNK THOUGH HE BE BENEATH THE WATERY FLOOR ...
It must be a movement then, an actuality of the possible as possible.
Aristotle's phrase formed itself within the gabbled verses and floated
out into the studious silence of the library of Saint Genevieve where he
had read, sheltered from the sin of Paris, night by night. By his elbow a
delicate Siamese conned a handbook of strategy. Fed and feeding brains
about me: under glowlamps, impaled, with faintly beating feelers: and in
my mind's darkness a sloth of the underworld, reluctant, shy of
brightness, shifting her dragon scaly folds. Thought is the thought of
thought. Tranquil brightness. The soul is in a manner all that is: the
soul is the form of forms. Tranquility sudden, vast, candescent: form of
forms.
Talbot repeated:
--THROUGH THE DEAR MIGHT OF HIM THAT WALKED THE WAVES,
THROUGH THE DEAR MIGHT ...
--Turn over, Stephen said quietly. I don't see anything.
--What, sir? Talbot asked simply, bending forward.
His hand turned the page over. He leaned back and went on again,
having just remembered. Of him that walked the waves. Here also over
these craven hearts his shadow lies and on the scoffer's heart and lips
and on mine. It lies upon their eager faces who offered him a coin of the
tribute. To Caesar what is Caesar's, to God what is God's. A long look
from dark eyes, a riddling sentence to be woven and woven on the church's
looms. Ay.
RIDDLE ME, RIDDLE ME, RANDY RO.
MY FATHER GAVE ME SEEDS TO SOW.
Talbot slid his closed book into his satchel.
--Have I heard all? Stephen asked.
--Yes, sir. Hockey at ten, sir.
--Half day, sir. Thursday.
--Who can answer a riddle? Stephen asked.
They bundled their books away, pencils clacking, pages rustling.
Crowding together they strapped and buckled their satchels, all gabbling
gaily:
--A riddle, sir? Ask me, sir.
--O, ask me, sir.
--A hard one, sir.
--This is the riddle, Stephen said:
THE COCK CREW,
THE SKY WAS BLUE:
THE BELLS IN HEAVEN
WERE STRIKING ELEVEN.
'TIS TIME FOR THIS POOR SOUL
TO GO TO HEAVEN.
What is that?
--What, sir?
--Again, sir. We didn't hear.
Their eyes grew bigger as the lines were repeated. After a silence
Cochrane said:
--What is it, sir? We give it up.
Stephen, his throat itching, answered:
--The fox burying his grandmother under a hollybush.
He stood up and gave a shout of nervous laughter to which their cries
echoed dismay.
A stick struck the door and a voice in the corridor called:
--Hockey!
They broke asunder, sidling out of their benches, leaping them.
Quickly they were gone and from the lumberroom came the rattle of sticks
and clamour of their boots and tongues.
Sargent who alone had lingered came forward slowly, showing an
open copybook. His thick hair and scraggy neck gave witness of
unreadiness and through his misty glasses weak eyes looked up pleading.
On his cheek, dull and bloodless, a soft stain of ink lay, dateshaped,
recent and damp as a snail's bed.
He held out his copybook. The word SUMS was written on the
headline. Beneath were sloping figures and at the foot a crooked signature
with blind loops and a blot. Cyril Sargent: his name and seal.
--Mr Deasy told me to write them out all again, he said, and show them to
you, sir.
Stephen touched the edges of the book. Futility.
--Do you understand how to do them now? he asked.
--Numbers eleven to fifteen, Sargent answered. Mr Deasy said I was to
copy them off the board, sir.
--Can you do them. yourself? Stephen asked.
--No, sir.
Ugly and futile: lean neck and thick hair and a stain of ink, a snail's
bed. Yet someone had loved him, borne him in her arms and in her heart.
But for her the race of the world would have trampled him underfoot, a
squashed boneless snail. She had loved his weak watery blood drained from
her own. Was that then real? The only true thing in life? His mother's
prostrate body the fiery Columbanus in holy zeal bestrode. She was no
more: the trembling skeleton of a twig burnt in the fire, an odour of
rosewood and wetted ashes. She had saved him from being trampled
underfoot and had gone, scarcely having been. A poor soul gone to heaven:
and on a heath beneath winking stars a fox, red reek of rapine in his fur,
with merciless bright eyes scraped in the earth, listened, scraped up the
earth, listened, scraped and scraped.
Sitting at his side Stephen solved out the problem. He proves by
algebra that Shakespeare's ghost is Hamlet's grandfather. Sargent peered
askance through his slanted glasses. Hockeysticks rattled in the
lumberroom: the hollow knock of a ball and calls from the field.
Across the page the symbols moved in grave morrice, in the mummery
of their letters, wearing quaint caps of squares and cubes. Give hands,
traverse, bow to partner: so: imps of fancy of the Moors. Gone too from
the world, Averroes and Moses Maimonides, dark men in mien and
movement, flashing in their mocking mirrors the obscure soul of the
world, a darkness shining in brightness which brightness could not
comprehend.
--Do you understand now? Can you work the second for yourself?
--Yes, sir.
In long shaky strokes Sargent copied the data. Waiting always for a
word of help his hand moved faithfully the unsteady symbols, a faint hue
of shame flickering behind his dull skin. AMOR MATRIS: subjective and
objective genitive. With her weak blood and wheysour milk she had fed him
and hid from sight of others his swaddling bands.
Like him was I, these sloping shoulders, this gracelessness. My
childhood bends beside me. Too far for me to lay a hand there once or
lightly. Mine is far and his secret as our eyes. Secrets, silent, stony
sit in the dark palaces of both our hearts: secrets weary of their
tyranny: tyrants, willing to be dethroned.
The sum was done.
--It is very simple, Stephen said as he stood up.
--Yes, sir. Thanks, Sargent answered.
He dried the page with a sheet of thin blottingpaper and carried his
copybook back to his bench.
--You had better get your stick and go out to the others, Stephen said as
he followed towards the door the boy's graceless form.
--Yes, sir.
In the corridor his name was heard, called from the playfield.
--Sargent!
--Run on, Stephen said. Mr Deasy is calling you.
He stood in the porch and watched the laggard hurry towards the
scrappy field where sharp voices were in strife. They were sorted in teams
and Mr Deasy came away stepping over wisps of grass with gaitered feet.
When he had reached the schoolhouse voices again contending called to
him. He turned his angry white moustache.
--What is it now? he cried continually without listening.
--Cochrane and Halliday are on the same side, sir, Stephen said.
--Will you wait in my study for a moment, Mr Deasy said, till I restore
order here.
And as he stepped fussily back across the field his old man's voice
cried sternly:
--What is the matter? What is it now?
Their sharp voices cried about him on all sides: their many forms
closed round him, the garish sunshine bleaching the honey of his illdyed
head.
Stale smoky air hung in the study with the smell of drab abraded
leather of its chairs. As on the first day he bargained with me here. As
it was in the beginning, is now. On the sideboard the tray of Stuart
coins, base treasure of a bog: and ever shall be. And snug in their
spooncase of purple plush, faded, the twelve apostles having preached to
all the gentiles: world without end.
A hasty step over the stone porch and in the corridor. Blowing out his
rare moustache Mr Deasy halted at the table.
--First, our little financial settlement, he said.
He brought out of his coat a pocketbook bound by a leather thong. It
slapped open and he took from it two notes, one of joined halves, and laid
them carefully on the table.
--Two, he said, strapping and stowing his pocketbook away.
And now his strongroom for the gold. Stephen's embarrassed hand
moved over the shells heaped in the cold stone mortar: whelks and money
cowries and leopard shells: and this, whorled as an emir's turban, and
this, the scallop of saint James. An old pilgrim's hoard, dead treasure,
hollow shells.
A sovereign fell, bright and new, on the soft pile of the tablecloth.
--Three, Mr Deasy said, turning his little savingsbox about in his hand.
These are handy things to have. See. This is for sovereigns. This is for
shillings. Sixpences, halfcrowns. And here crowns. See.
He shot from it two crowns and two shillings.
--Three twelve, he said. I think you'll find that's right.
--Thank you, sir, Stephen said, gathering the money together with shy
haste and putting it all in a pocket of his trousers.
--No thanks at all, Mr Deasy said. You have earned it.
Stephen's hand, free again, went back to the hollow shells. Symbols
too of beauty and of power. A lump in my pocket: symbols soiled by greed
and misery.
--Don't carry it like that, Mr Deasy said. You'll pull it out somewhere
and lose it. You just buy one of these machines. You'll find them very
handy.
Answer something.
--Mine would be often empty, Stephen said.
The same room and hour, the same wisdom: and I the same. Three
times now. Three nooses round me here. Well? I can break them in this
instant if I will.
--Because you don't save, Mr Deasy said, pointing his finger. You don't
know yet what money is. Money is power. When you have lived as long as I
have. I know, I know. If youth but knew. But what does Shakespeare say?
PUT BUT MONEY IN THY PURSE.
--Iago, Stephen murmured.
He lifted his gaze from the idle shells to the old man's stare.
--He knew what money was, Mr Deasy said. He made money. A poet, yes,
but an Englishman too. Do you know what is the pride of the English? Do
you know what is the proudest word you will ever hear from an
Englishman's mouth?
The seas' ruler. His seacold eyes looked on the empty bay: it seems
history is to blame: on me and on my words, unhating.
--That on his empire, Stephen said, the sun never sets.
--Ba! Mr Deasy cried. That's not English. A French Celt said that. He
tapped his savingsbox against his thumbnail.
--I will tell you, he said solemnly, what is his proudest boast. I PAID
MY WAY.
Good man, good man.
--I PAID MY WAY. I NEVER BORROWED A SHILLING IN MY LIFE. Can you feel
that? I OWE NOTHING. Can you?
Mulligan, nine pounds, three pairs of socks, one pair brogues, ties.
Curran, ten guineas. McCann, one guinea. Fred Ryan, two shillings.
Temple, two lunches. Russell, one guinea, Cousins, ten shillings, Bob
Reynolds, half a guinea, Koehler, three guineas, Mrs MacKernan, five
weeks' board. The lump I have is useless.
--For the moment, no, Stephen answered.
Mr Deasy laughed with rich delight, putting back his savingsbox.
--I knew you couldn't, he said joyously. But one day you must feel it. We
are a generous people but we must also be just.
--I fear those big words, Stephen said, which make us so unhappy.
Mr Deasy stared sternly for some moments over the mantelpiece at
the shapely bulk of a man in tartan filibegs: Albert Edward, prince of
Wales.
--You think me an old fogey and an old tory, his thoughtful voice said. I
saw three generations since O'Connell's time. I remember the famine
in '46. Do you know that the orange lodges agitated for repeal of the
union twenty years before O'Connell did or before the prelates of your
communion denounced him as a demagogue? You fenians forget some things.
Glorious, pious and immortal memory. The lodge of Diamond in
Armagh the splendid behung with corpses of papishes. Hoarse, masked and
armed, the planters' covenant. The black north and true blue bible.
Croppies lie down.
Stephen sketched a brief gesture.
--I have rebel blood in me too, Mr Deasy said. On the spindle side. But I
am descended from sir John Blackwood who voted for the union. We are all
Irish, all kings' sons.
--Alas, Stephen said.
--PER VIAS RECTAS, Mr Deasy said firmly, was his motto. He voted for it
and put on his topboots to ride to Dublin from the Ards of Down to do so.
LAL THE RAL THE RA
THE ROCKY ROAD TO DUBLIN.
A gruff squire on horseback with shiny topboots. Soft day, sir John!
Soft day, your honour! ... Day! ... Day! ... Two topboots jog dangling
on to Dublin. Lal the ral the ra. Lal the ral the raddy.
--That reminds me, Mr Deasy said. You can do me a favour, Mr Dedalus,
with some of your literary friends. I have a letter here for the press.
Sit down a moment. I have just to copy the end.
He went to the desk near the window, pulled in his chair twice and
read off some words from the sheet on the drum of his typewriter.
--Sit down. Excuse me, he said over his shoulder, THE DICTATES OF COMMON
SENSE. Just a moment.
He peered from under his shaggy brows at the manuscript by his
elbow and, muttering, began to prod the stiff buttons of the keyboard
slowly, sometimes blowing as he screwed up the drum to erase an error.
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