1379.
Find Longhi and tell him that you wait for him at Rome and will go
with him to Naples; make you pay the donation [Footnote 2: _Libro di
Vitolone_ see No. 1506 note.] and take the book by Vitolone, and the
measurements of the public buildings. [3] Have two covered boxes
made to be carried on mules, but bed-covers will be best; this makes
three, of which you will leave one at Vinci. [4] Obtain
the.............. from Giovanni Lombardo the linen draper of Verona.
Buy handkerchiefs and towels,.... and shoes, 4 pairs of hose, a
jerkin of... and skins, to make new ones; the lake of Alessandro.
[Footnote: 7 and fol. It would seem from the text that Leonardo
intended to have instructions in painting on paper. It is hardly
necessary to point out that the Art of illuminating was quite
separate from that of painting.]
Sell what you cannot take with you. Get from Jean de Paris the
method of painting in tempera and the way of making white [Footnote:
The mysterious looking words, quite distinctly written, in line 1:
_ingol, amor a, ilopan a_ and on line 2: _enoiganod al_ are
obviously in cipher and the solution is a simple one; by reading
them backwards we find for _ingol_: logni-probably _longi_,
evidently the name of a person; for _amor a_: _a Roma_, for _ilopan
a_: _a Napoli_. Leonardo has done the same in two passages treating
on some secrets of his art Nos. 641 and 729, the only other places
in which we find this cipher employed; we may therefore conclude
that it was for the sake of secrecy that he used it.
There can be no doubt, from the tenor of this passage, that Leonardo
projected a secret excursion to Naples. Nothing has hitherto been
known of this journey, but the significance of the passage will be
easily understood by a reference to the following notes, from which
we may infer that Leonardo really had at the time plans for
travelling further than Naples. From lines 3, 4 and 7 it is evident
that he purposed, after selling every thing that was not easily
portable, to leave a chest in the care of his relations at Vinci.
His luggage was to be packed into two trunks especially adapted for
transport by mules. The exact meaning of many sentences in the
following notes must necessarily remain obscure. These brief remarks
on small and irrelevant affairs and so forth are however of no
historical value. The notes referring to the preparations for his
journey are more intelligible.]
salt, and how to make tinted paper; sheets of paper folded up; and
his box of colours; learn to work flesh colours in tempera, learn to
dissolve gum lac, linseed ... white, of the garlic of Piacenza; take
'de Ponderibus'; take the works of Leonardo of Cremona. Remove the
small furnace ... seed of lilies and of... Sell the boards of the
support. Make him who stole it, give you the ... learn levelling and
how much soil a man can dig out in a day.
1380.
This was done by Leone in the piazza of the castle with a chain and
an arrow. [Footnote: This note must have been made in Milan; as we
know from the date of the MS.]
1381.
NAMES OF ENGINEERS.
Callias of Rhodes, Epimachus the Athenian, Diogenes, a philosopher,
of Rhodes, Calcedonius of Thrace, Febar of Tyre, Callimachus the
architect, a master of fires. [Footnote: Callias, Architect of
Aradus, mentioned by Vitruvius (X, 16, 5).--Epimachus, of Athens,
invented a battering-enginee for Demetrius Poliorketes (Vitruvius X,
16, 4).--Callimachus, the inventor of the Corinthian capital (Vitr.
IV, I, 9), and of the method of boring marble (Paus. I, 26, 7), was
also famous for his casts in bronze (Plin. XXXIV, 8, 19). He
invented a lamp for the temple of Athene Polias, on the Acropolis of
Athens (Paus. I, 26, 7)--The other names, here mentioned, cannot be
identified.]
1382.
Ask maestro Lodovico for 'the conduits of water'. [Footnote:
Condotti d'acqua. Possibly a book, a MS. or a map.]
1383.
... at Pistoja, Fioravante di Domenico at Florence is my most
beloved friend, as though he were my [brother]. [Footnote: On the
same sheet is the text No. 663.]
1384.
On the 16th day of July.
Caterina came on 16th day of July, 1493.
Messer Mariolo's Morel the Florentin, has a big horse with a fine
neck and a beautiful head.
The white stallion belonging to the falconer has fine hind quarters;
it is behind the Comasina Gate.
The big horse of Cermonino, of Signor Giulio. [Footnote: Compare
Nos. 1522 and 1517. Caterina seems to have been his housekeeper.]
1385.
OF THE INSTRUMENT.
Any one who spends one ducat may take the instrument; and he will
not pay more than half a ducat as a premium to the inventor of the
instrument and one grosso to the workman every year. I do not want
sub-officials. [Footnote: Refers perhaps to the regulation of the
water in the canals.]
1386.
Maestro Giuliano da Marliano has a fine herbal. He lives opposite to
Strami the Carpenters. [Footnote: Compare No. 616, note. 4.
legnamiere (milanese dialect) = legnajuolo.]
1387.
Christofano da Castiglione who lives at the Pieta has a fine head.
1388.
Work of ... of the stable of Galeazzo; by the road of Brera
[Footnote 4: Brera, see No. 1448, II, 13]; benefice of Stanghe
[Footnote 5:Stanghe, see No. 1509.]; benefice of Porta Nuova;
benefice of Monza; Indaco's mistake; give first the benefices; then
the works; then ingratitude, indignity and lamentations.
1389.
Chiliarch--captain of 1000.
Prefects--captains.
A legion, six thousand and sixty three men.
1390.
A nun lives at La Colomba at Cremona; she works good straw plait,
and a friar of Saint Francis. [Footnote: _La Colomba_ is to this day
the name of a small house at Cremona, decorated with frescoes.]
1391.
Needle,--Niccolao,--thread,--Ferrando, -lacopo
Andrea,--canvas,--stone,--colours, --brushes,--pallet,--sponge,--the
panel of the Duke.
1392.
Messer Gian Domenico Mezzabarba and Messer Giovanni Franceso
Mezzabarba. By the side of Messer Piero d'Anghiera.
1393.
Conte Francesco Torello.
1394.
Giuliano Trombetta,--Antonio di Ferrara, --Oil of .... [Footnote:
Near this text is the sketch of a head drawn in red chalk.]
1395.
Paul was snatched up to heaven. [Footnote: See the facsimile of this
note on Pl. XXIII No. 2.]
1396.
Giuliano da Maria, physician, has a steward without hands.
1397.
Have some ears of corn of large size sent from Florence.
1398.
See the bedstead at Santa Maria. Secret.
1399.
Arrigo is to have 11 gold Ducats. Arrigo is to have 4 gold ducats in
the middle of August.
1400.
Give your master the instance of a captain who does not himself win
the victory, but the soldiers do by his counsels; and so he still
deserves the reward.
1401.
Messer Pier Antonio.
1402.
Oil,--yellow,--Ambrosio,--the mouth, --the farmhouse.
1403.
My dear Alessandro from Parma, by the hand of ...
1404.
Giovannina, has a fantastic face,--is at Santa Caterina, at the
Hospital. [Footnote: Compare the text on the same page: No. 667.]
1405.
24 tavole make 1 perch. 4 trabochi make 1 tavola. 4 braccia and a
half make a trabocco. A perch contains 1936 square braccia, or 1944.
1406.
The road of Messer Mariolo is 13 1/4 braccia wide; the House of
Evangelista is 75.
It enters 7 1/2 braccia in the house of Mariolo. [Footnote: On this
page and that which faces it, MS.I2 7la, are two diagrams with
numerous reference numbers, evidently relating to the measurements
of a street.]
1407.
I ask at what part of its curved motion the moving cause will leave
the thing moved and moveable.
Speak to Pietro Monti of these methods of throwing spears.
1408.
Antonio de' Risi is at the council of Justice.
1409.
Paolo said that no machine that moves another .... [Footnote: The
passage, of which the beginning is here given, deals with questions
in mechanics. The instances in which Leonardo quotes the opinions of
his contemporaries on scientific matters are so rare as to be worth
noticing. Compare No. 901. ]
1410.
Caravaggio. [Footnote: _Caravaggio_, a village not far from the Adda
between Milan and Brescia, where Polidoro and Michelangelo da
Caravaggio were born. This note is given in facsimile on Pl. XIII,
No. I (above, to the left). On Pl. XIII, No. 2 above to the right we
read _cerovazo_.]
1411.
Pulleys,--nails,--rope,--mercury,--cloth, Monday.
1412.
MEMORANDUM.
Maghino, Speculus of Master Giovanni the Frenchman; Galenus on
utility.
1413.
Near to Cordusio is Pier Antonio da Tossano and his brother
Serafino. [Footnote: This note is written between lines 23 and 24 of
the text No. 710. Corduso, Cordusio (_curia ducis_) = Cordus in the
Milanese dialect, is the name of a Piazza between the Via del
Broletto and the Piazza de' Mercanti at Milan.. In the time of il
Moro it was the centre of the town. The persons here named were
members of the noble Milanese family de'Fossani; Ambrogio da
Possano, the contemporary painter, had no connection with them.]
1414.
Memoranda after 1500 (1414--1434)
1414.
Paul of Vannochio at Siena ... The upper chamber for the apostles.
[4] Buildings by Bramante.
The governor of the castle made a prisoner.
[6] Visconti carried away and his son killed. [Footnote 6: Visconti.
_Chi fosse quel Visconte non sapremmo indovinare fra tanti di questo
nome. Arluno narra che allora atterrate furono le case de' Viconti,
de' Castiglioni, de' Sanseverini, e de' Botta e non e improbabile
che ne fossero insultati e morti i padroni. Molti Visconti annovera
lo stesso Cronista che per essersi rallegrati del ritorno del duca
in Milano furono da' Francesi arrestati, e strascinati in Francia
come prigionieri di stato; e fra questi Messer Francesco Visconti, e
suo figliuolo Battista_. (AMORETTI, Mem. Stor. XIX.).]
Giovanni della Rosa deprived of his money.
Borgonzio began ....; and moreover his fortunes fled. [Footnote 8:
Borgonzio o Brugonzio Botta fu regolatore delle ducali entrate sotto
il Moro, alla cui fuga la casa sua fu pur messa a sacco da'
partitanti francesi. (AMORETTI, l. c.)]
The Duke has lost the state, property and liberty and none of his
entreprises was carried out by him.
[Footnote: l. 4--10 This passage evidently refers to events in Milan
at the time of the overthrow of Ludovico il Moro. Amoretti published
it in the '_Memorie Storiche_' and added copious notes.]
1415.
Ambrosio Petri, St. Mark, 4 boards for the window, 2 ..., 3 the
saints of chapels, 5 the Genoese at home.
1416.
Piece of tapestry,--pair of compasses,-- Tommaso's book,--the book
of Giovanni Benci,--the box in the custom-house,--to cut the
cloth,--the sword-belt,--to sole the boots, --a light hat,--the cane
from the ruined houses,--the debt for the table linen,
--swimming-belt,--a book of white paper for drawing,--charcoal.--How
much is a florin ...., a leather bodice.
1417.
Borges shall get for you the Archimedes from the bishop of Padua,
and Vitellozzo the one from Borgo a San Sepolcro [Footnote 3: Borgo
a San Sepolcro, where Luca Paciolo, Leonardo's friend, was born.]
[Footnote: Borges. A Spanish name.]
1418.
Marzocco's tablet.
1419.
Marcello lives in the house of Giacomo da Mengardino.
1420.
Where is Valentino?--boots,--boxes in the
custom-house,...,--[Footnote 5: Carmine. A church and monastery at
Florence.] the monk at the Carmine,--squares,--[Footnotes 7 and 8:
Martelli, Borgherini; names of Florentine families. See No. 4.]
Piero Martelli,--[8] Salvi Borgherini,--send back the bags,--a
support for the spectacles,--[Footnote 11: San Gallo; possibly
Giuliano da San Gallo, the Florentine architect.] the nude study of
San Gallo,--the cloak. Porphyry,--groups,--square,--[Footnote 16:
Pandolfini, see No. 1544 note.] Pandolfino. [Footnote: Valentino.
Cesare Borgia is probably meant. After being made Archbishop of
Valence by Alexander VI he was commonly called Valentinus or
Valentino. With reference to Leonardo's engagements by him see pp.
224 and 243, note.]
1421.
Concave mirrors; philosophy of Aristotle;[Footnote 2: _Avicenna_
(Leonardo here writes it Avinega) the Arab philosopher, 980-1037,
for centuries the unimpeachable authority on all medical questions.
Leonardo possibly points here to a printed edition: _Avicennae
canonum libri V, latine_ 1476 _Patavis._ Other editions are, Padua
1479, and Venice 1490.] the books of Avicenna Italian and Latin
vocabulary; Messer Ottaviano Palavicino or his Vitruvius [Footnote
3: _Vitruvius._ See Vol. I, No. 343 note.]. bohemian knives;
Vitruvius[Footnote 6: _Vitruvius._ See Vol. I, No. 343 note.]; go
every Saturday to the hot bath where you will see naked men;
'Meteora' [Footnote 7: _Meteora._ See No. 1448, 25.],
Archimedes, on the centre of gravity; [Footnote 9: The works of
Archimedes were not printed during Leonardo's life-time.] anatomy
[Footnote 10: Compare No. 1494.] Alessandro Benedetto; The Dante of
Niccolo della Croce; Inflate the lungs of a pig and observe whether
they increase in width and in length, or in width diminishing in
length.
[Footnote 14: _Johannes Marliani sua etate philosophorum et
medicorum principis et ducalis phisic. primi de proportione motuum
velocitate questio subtilissima incipit ex ejusdem Marliani
originali feliciter extracta, M(ilano)_ 1482.
Another work by him has the title: _Marlianus mediolanensis. Questio
de caliditate corporum humanorum tempore hiemis ed estatis et de
antiparistasi ad celebrem philosophorum et medicorum universitatem
ticinensem._ 1474.] Marliano, on Calculation, to Bertuccio.
Albertus, on heaven and earth [Footnote 15: See No. 1469, 1. 7.],
[from the monk Bernardino]. Horace has written on the movements of
the heavens.
[Footnote: _Filosofia d'Aristotele_ see No. 1481 note.]
1422.
Of the three regular bodies as opposed to some commentators who
disparage the Ancients, who were the originators of grammar and the
sciences and ...
1423.
The room in the tower of Vaneri.
[Footnote: This note is written inside the sketch of a plan of a
house. On the same page is the date 1513 (see No. 1376).]
1424.
The figures you will have to reserve for the last book on shadows
that they may appear in the study of Gerardo the illuminator at San
Marco at Florence.
[Go to see Melzo, and the Ambassador, and Maestro Bernardo].
[Footnote: L. 1-3 are in the original written between lines 3 and 4
of No. 292. But the sense is not clear in this connection. It is
scarcely possible to devine the meaning of the following sentence.
2. 3. _Gherardo_ Miniatore, a famous illuminator, 1445-1497, to whom
Vasari dedicated a section of his Lives (Vol. II pp. 237-243, ed.
Sansoni 1879).
5. _Bernardo_, possibly the painter Bernardo Zenale.]
1425.
Hermes the philosopher.
1426.
Suisset, viz. calculator,--Tisber, --Angelo Fossobron,--Alberto.
1427.
The structure of the drawbridge shown me by Donnino, and why _c_ and
_d_ thrust downwards.
[Footnote: The sketch on the same page as this text represents two
poles one across the other. At the ends of the longest are the
letter _c_ and _d_. The sense of the passage is not rendered any
clearer.]
1428.
The great bird will take its first flight;-- on the back of his
great swan,--filling the universe with wonders; filling all writings
with his fame and bringing eternal glory to his birthplace.
[Footnote: This seems to be a speculation about the flying machine
(compare p. 271).]
1429.
This stratagem was used by the Gauls against the Romans, and so
great a mortality ensued that all Rome was dressed in mourning.
[Footnote: Leonardo perhaps alludes to the Gauls under Brennus, who
laid his sword in the scale when the tribute was weighed.]
1430.
Alberto da Imola;--Algebra, that is, the demonstration of the
equality of one thing to another.
1431.
Johannes Rubicissa e Robbia.
1432.
Ask the wife of Biagio Crivelli how the capon nurtures and hatches
the eggs of the hen,--he being drunk.
1433.
The book on Water to Messer Marco Antonio.
[Footnote: Possibly Marc-Antonio della Torre, see p. 97.]
1434.
Have Avicenna's work on useful inventions translated; spectacles
with the case, steel and fork and...., charcoal, boards, and paper,
and chalk and white, and wax;.... .... for glass, a saw for bones
with fine teeth, a chisel, inkstand ........ three herbs, and Agnolo
Benedetto. Get a skull, nut,--mustard.
Boots,--gloves, socks, combs, papers, towels, shirts,....
shoe-tapes,--..... shoes, penknife, pens. A skin for the chest.
[Footnote: 4. Lapis. Compare Condivi, _Vita di Michelagnolo
Buonarotti_, Chap. XVIII.: _Ma egli_ (Michelangelo) _non avendo che
mostrare, prese una penna (percioche in quel tempo il lapis non era
in uso) e con tal leggiadria gli dipinse una mano ecc._ The incident
is of the year l496.--Lapis means pencil, and chalk (_matita_).
Between lines 7 and 8 are the texts given as Nos. 819 and No. 7.]
Undated memoranda (1435-1457).
1435.
The book of Piero Crescenze,--studies from the nude by Giovanni
Ambrosio,--compasses, --the book of Giovanni Giacomo.
1436.
MEMORARDUM.
To make some provisions for my garden, --Giordano, _De
Ponderibus_[Footnote 3: _Giordano_. Jordanus Nemorarius, a
mathematician of the beginning of the XIIIth century. No particulars
of his life are known. The title of his principal work is:
_Arithmetica decem libris demonstrata_, first published at Paris
1496. In 1523 appeared at Nuremberg: _Liber Jordani Nemorarii de
ponderibus, propositiones XIII et earundem demonstrationes,
multarumque rerum rationes sane pulcherrimas complectens, nunc in
lucem editus._],--the peacemaker, the flow and ebb of the sea,--have
two baggage trunks made, look to Beltraffio's [Footnote 6:
_Beltraffio_, see No. 465, note 2.
There are sketches by the side of lines 8 and 10.] lathe and have
taken the stone,--out leave the books belonging to Messer Andrea the
German,-- make scales of a long reed and weigh the substance when
hot and again when cold. The mirror of Master Luigi; _A b_ the flow
and ebb of the water is shown at the mill of Vaprio,--a cap.
1437.
Giovanni Fabre,--Lazaro del Volpe,-- the common,--Ser Piero.
[Footnote: These names are inserted on a plan of plots of land
adjoining the Arno.]
1438.
[Lactantius], [the book of Benozzo], groups,--to bind the book,--a
lantern,--Ser Pecantino,--Pandolfino.--[Rosso]--a square, --small
knives,--carriages,--curry combs-- cup.
1439.
Quadrant of Carlo Marmocchi,--Messer Francesco Araldo,--Ser
Benedetto d'Accie perello,--Benedetto on arithmetic,--Maestro Paulo,
physician,--Domenico di Michelino,-- ...... of the Alberti,--Messer
Giovanni Argimboldi.
1440.
Colours, formula,--Archimedes,--Marcantonio.
Tinned iron,--pierced iron.
1441.
See the shop that was formerly Bartolommeo's, the stationer.
[Footnote: 6. _Marc Antonio_, see No. 1433.]
1442.
The first book is by Michele di Francesco Nabini; it treats on
science.
1443.
Messer Francesco, physician of Lucca, with the Cardinal Farnese.
[Footnote: _Alessandro Farnese_, afterwards Pope Paul III was
created in 1493 Cardinal di San Cosimo e San Damiano, by Alexander
VI.]
1444.
Pandolfino's book [Footnote 1: _Pandolfino, Agnolo_, of Florence. It
is to this day doubtful whether he or L. B. Alberti was the author
of the famous work '_Del Governo della Famiglia_'. It is the more
probable that Leonardo should have meant this work by the words _il
libro_, because no other book is known to have been written by
Pandolfino. This being the case this allusion of Leonardo's is an
important evidence in favour of Pandolfino's authorship (compare No.
1454, line 3).],--knives,--a pen for ruling,--to have the vest
dyed,--The library at St.-Mark's,--The library at Santo
Spirito,--Lactantius of the Daldi [Footnote 7: The works of
Lactantius were published very often in Italy during Leonardo's
lifetime. The first edition published in 1465 "_in monastero
sublacensi_" was also the first book printed in Italy.],--Antonio
Covoni,--A book by Maestro Paolo Infermieri, --Boots, shoes and
hose,--(Shell)lac, --An apprentice to do the models for me. Grammar,
by Lorenzo de Medici,--Giovanni del Sodo,--Sansovino, [Footnote 15:
_Sansovino_, Andrea--the _sculptor_; 1460-1529.]--a ruler,--a very
sharp knife,--Spectacles,--fractions....,
--repair.........,--Tomaso's book,-- Michelagnolo's little chain;
Learn the multiplication of roots from Maestro Luca;--my map of the
world which Giovanni Benci has [Footnote 25: Leonardo here probably
alludes to the map, not executed by him (See p. 224), which is with
the collection of his MSS. at Windsor, and was published in the
_Archaeologia_ Vol. XI (see p. 224).];-Socks,--clothes from the
customhouse-officier,--Red Cordova leather,--The map of the world,
of Giovanni Benci,--a print, the districts about Milan--Market book.
Get the Friar di Brera to show you [the book] '_de Ponderibus_'
[Footnote 11: _Brera_, now _Palazzo delle Scienze ed Arti. Until
1571 it was the monastery of the order of the Umiliati and
afterwards of the Jesuits.
_De ponderibus_, compare No. 1436, 3.],--
Of the measurement of San Lorenzo,--
I lent certain groups to Fra Filippo de Brera, [Footnote 13:
_Brera_, now _Palazzo delle Scienze ed Arti. Until 1571 it was the
monastery of the order of the Umiliati and afterwards of the
Jesuits.
_De ponderibus_, compare No. 1436, 3.]--
Memorandum: to ask Maestro Giovannino as to the mode in which the
tower of Ferrara is walled without loopholes,--
Ask Maestro Antonio how mortars are placed on bastions by day or by
night,--
Ask Benedetto Portinari how the people go on the ice in Flanders,--
On proportions by Alchino, with notes by Marliano, from Messer
Fazio,--
The measurement of the sun, promised me by Maestro Giovanni, the
Frenchman,--
The cross bow of Maestro Gianetto,--
The book by Giovanni Taverna that Messer Fazio,--
You will draw Milan [21],--
The measurement of the canal, locks and supports, and large boats;
and the expense,--
Plan of Milan [Footnote 23: _Fondamento_ is commonly used by
Leonardo to mean ground-plan. See for instance p. 53.],--
Groups by Bramante [Footnote 24: _Gruppi_. See Vol. I p. 355, No.
600, note 9.],--
The book on celestial phenomena by Aristoteles, in Italian [Footnote
25: _Meteora_. By this Leonardo means no doubt the four books. He
must refer here to a MS. translation, as no Italian translation is
known to have been published (see No. 1477 note).],--
Try to get Vitolone, which is in the library at Pavia [Footnote 26:
_Vitolone_ see No. 1506, note.
_Libreria di Pavia_. One of the most famous of Italian libraries.
After the victory of Novara in April 1500, Louis XII had it conveyed
to France, '_come trofeo di vittoria_'!] and which treats of
Mathematics,--He had a master [learned] in waterworks and get him to
explain the repairs and the costs, and a lock and a canal and a mill
in the Lombard fashion.
A grandson of Gian Angelo's, the painter has a book on water which
was his fathers.
Paolino Scarpellino, called Assiolo has great knowledge of water
works.
[Footnote 12: _Sco Lorenzo_. A church at Milan, see pp. 39, 40 and
50.]
[Footnote 13. 24: _Gruppi_. See Vol. I p. 355, No. 600, note 9.]
[Footnote 16: The _Portinari_ were one of the great merchant-
families of Florence.]
1449.
Francesco d'Antonio at Florence.
1450.
Giuliano Condi[1],--Tomaso Ridolfi,-- Tomaso Paganelli,--Nicolo del
Nero,--Simone Zasti,--Nasi,--the heir of Lionardo Manelli,
--Guglielmo di Ser Martino,--Bartolomeo del Tovaglia,--Andrea
Arrigucci,-- Nicolo Capponi,--Giovanni Portinari.
[Footnote: I. _Guiliano Gondi_. Ser Piero da Vinci, Leonardo's
father, lived till 1480, in a house belonging to Giuliano Gondi. In
1498 this was pulled down to make room for the fine Palazzo built on
the Piazza San Firenze by Giuliano di San Gallo, which still exists.
In the _Riassunto del Catasto di Ser Piero da Vinci_, 1480, Leonardo
is not mentioned; it is evident therefore that he was living
elsewhere. It may be noticed incidentally that in the _Catasto di
Giuliano Gondi_ of the same year the following mention is made of
his four eldest sons:
_Lionardo mio figliuolo d'eta d'anni 29, non fa nulla, Giovambatista
d'eta d'anni 28 in Ghostantinopoli, Billichozo d'eta d'anni 24 a
Napoli, Simone d'eta d'anni 23 in Ungheria._
He himself was a merchant of gold filigree (_facciamo lavorare una
bottegha d'arte di seta ... facciamo un pocho di trafico a Napoli_}.
As he was 59 years old in 1480, he certainly would not have been
alive at the time of Leonardo's death. But Leonardo must have been
on intimate terms with the family till the end of his life, for in a
letter dated June 1. 1519, in which Fr. Melzi, writing from Amboise,
announces Leonardo's death to Giuliano da Vinci at Florence (see p.
284), he says at the end "_Datemene risposta per i Gondi_" (see
UZIELLI, _Ricerche_, passim).
Most of the other names on the list are those of well-known
Florentine families.]
1451.
Pandolfino.
1452.
Vespuccio will give me a book of Geometry.
[Footnote: See No. 844, note, p. 130.]
1453.
Marcantonio Colonna at Santi Apostoli.
[Footnote: In July 1506 Pope Julius II gave Donna Lucrezia della
Rovere, the daughter of his sister Lucchina, in marriage to the
youthful Marcantonio Colonna, who, like his brothers Prospero and
Fabrizio, became one of the most famous Captains of his family. He
gave to him Frascati and made him a present of the palazzo he had
built, when Cardinal, near the church of Santi Apostoli which is now
known as the Palazzo Colonna (see GREGOROVIUS, _Gesch. der Stadt
Rom._ Vol. VIII, book XIV I, 3. And COPPI, _Mem. Colonnesi_ p.
251).]
1454.
A box, a cage,-- A square, to make the bird [Footnote 2: Vasari
states that Leonardo invented mechanical birds which moved through
the air. Compare No. 703.],-- Pandolfino's book, mortar [?],-- Small
knives, Venieri for the
[Footnote: Much of No. 1444 is repeated in this memorandum.]
Pen for ruling, stone,--star,--
To have the vest dyed, Alfieri's tazza,--
The Libraries, the book on celestial
phenomena,--
Lactantius of the go to the house of
Daldi,-- the Pazzi,
Book from Maestro small box,--
Paolo Infermieri,--
Boots, shoes and small gimlet,--
hose,
Lac, .......,--
An apprentice for .....,--
models,
Grammar of Lo- the amount of the
renzo de' Medici, ...
Giovanni del Sodo .....
for...,--the broken
Sansovino, the....
Piero di Cosino the wings,--
[Footnote 16: _Pier di Cosimo_ the well known Florentine painter
1462-1521. See VASARI, _Vite_ (Vol. IV, p. 134 ed. Sansoni 1880)
about Leonardo's influence on Piero di Cosimo's style of painting.]
Filippo and Lorenzo [Footnote 17: _Filippo e Lorenzo_; probably the
painters Filippino Lippi and Lorenzo di Credi. L. di Credi's
pictures and Vasari's history of that painter bear ample evidence to
his intimate relations with Leonardo.],--A ruler-,-- Spectacles,--to
do the..... again,--Tomaso's book,--Michelagnolo's chain,--The
multiplication of roots,--Of the bow and strinch,--The map of the
world from Benci,-- Socks,--The clothes from the custom-house
officier,--Cordova leather,--Market books, --waters of
Cronaca,--waters of Tanaglino..., --the caps,--Rosso's mirror; to
see him make it,--1/3 of which I have 5/6,--on the celestial
phenomena, by Aristotle [Footnote 36: _Meteora_. See No. 1448,
25.],--boxes of Lorenzo di Pier Francesco [Footnote 37: _Lorenzo di
Pier Francesco_ and his brother _Giovanni_ were a lateral branch of
the _Medici_ family and changed their name for that of
Popolani.],--Maestro Piero of the Borgo,--To have my book
bound,--Show the book to Serigatto,-- and get the rule of the clock
[Footnote 41: Possibly this refers to the clock on the tower of the
Palazzo Vecchio at Florence. In February 1512 it had been repaired,
and so arranged as to indicate the hours after the French manner
(twelve hours a. m. and as many p. m.).],--
ring,--nutmeg,--gum,--the square,--Giovan' Batista at the piazza,
de' Mozzi,--Giovanni Benci has my book and jaspers,--brass for the
spectacles.
1455.
Search in Florence for......
1456.
Bernardo da Ponte ... Val di Lugano ... many veins for anatomical
demonstration.
[Footnote: This fragmentary note is written on the margin of a
drawing of two legs.]
1457.
Paolo of Tavechia, to see the marks in the German stones.
[Footnote: This note occurs on a pen and ink drawing made by
Leonardo as a sketch for the celebrated large cartoon in the
possession of the Royal Academy of Arts, in London. This cartoon is
commonly supposed to be identical with that described and lauded by
Vasari, which was exhibited in Florence at the time and which now
seems to be lost. Mr. Alfred Marks, of Long Ditton, in his valuable
paper (read before the Royal Soc. of Literature, June 28, 1882) "On
the St. Anne of Leonardo da Vinci", has adduced proof that the
cartoon now in the Royal Academy was executed earlier at Milan. The
note here given, which is written on the sheet containing the study
for the said cartoon, has evidently no reference to the drawing on
which it is written but is obviously of the same date. Though I have
not any opening here for discussing this question of the cartoon, it
seemed to me important to point out that the character of the
writing in this note does not confirm the opinion hitherto held that
the Royal Academy cartoon was the one described by Vasari, but, on
the contrary, supports the hypothesis put forward by Mr. Marks.]
Notes on pupils (1458-1468.)
1458.
Giacomo came to live with me on St.-Mary Magdalen's[Footnote: _Il di
della Maddalena._ July 22.] day, 1490, aged 10 years. The second day
I had two shirts cut out for him, a pair of hose, and a jerkin, and
when I put aside some money to pay for these things he stole 4
_lire_ the money out of the purse; and I could never make him
confess, though I was quite certain of the fact.--Thief, liar,
obstinate, glutton.
The day after, I went to sup with Giacomo Andrea, and the said
Giacomo supped for two and did mischief for four; for he brake 3
cruets, spilled the wine, and after this came to sup where I ....
Item: on the 7th day of September he stole a silver point of the
value of 22 soldi from Marco[Footnote 6: _Marco_, probably
Leonardo's pupil Marco d'Oggionno; 1470 is supposed to be the date
of his birth and 1540 of his death.
_Che stava con meco._ We may infer from this that he left the master
shortly after this, his term of study having perhaps expired.] who
was living with me, 4 _lire_ this being of silver; and he took it
from his studio, and when the said Marco had searched for it a long
while he found it hidden in the said Giacomo's box 4 _lire_.
Item: on the 26th January following, I, being in the house of Messer
Galeazzo da San Severino [Footnote 9: Galeazzo. See No. 718 note.],
was arranging the festival for his jousting, and certain footmen
having undressed to try on some costumes of wild men for the said
festival, Giacomo went to the purse of one of them which lay on the
bed with other clothes, 2 lire 4 S, and took out such money as was
in it.
Item: when I was in the same house, Maestro Agostino da Pavia gave
to me a Turkish hide to have (2 lire.) a pair of short boots made of
it; this Giacomo stole it of me within a month and sold it to a
cobbler for 20 soldi, with which money, by his own confession, he
bought anise comfits.
Item: again, on the 2nd April, Giovan Antonio [Footnote 16: Giovan
Antonio, probably Beltraffio, 1467 to 1516.] having left a silver
point on a drawing of his, Giacomo stole it, and this was of the
value of 24 soldi (1 lira 4 S.)
The first year-
A cloak, 2 lire,
6 shirts, 4 lire,
3 jerkins, 6 lire,
4 pairs of hose, 7 lire 8 soldi,
1 lined doublet, 5 lire,
24 pairs of shoes, 6 lire 5 soldi,
A cap, 1 lira,
laces, 1 lira.
[Footnote: Leonardo here gives a detailed account not only of the
loss he and others incurred through Giacomo but of the wild tricks
of the youth, and we may therefore assume that the note was not made
merely as a record for his own use, but as a report to be forwarded
to the lad's father or other responsible guardian.]
1459.
On the last day but one of September;
Thursday the 27th day of September Maestro Tommaso came back and
worked for himself until the last day but one of February. On the
18th day of March, 1493, Giulio, a German, came to live with
me,--Lucia, Piero, Leonardo.
On the 6th day of October.
1460.
1493. On the 1st day of November we settled accounts. Giulio had to
pay 4 months; and Maestro Tommaso 9 months; Maestro Tommaso
afterwards made 6 candlesticks, 10 days' work; Giulio some
fire-tongs 15 days work. Then he worked for himself till the 27th
May, and worked for me at a lever till the 18th July; then for
himself till the 7th of August, and for one day, on the fifteenth,
for a lady. Then again for me at 2 locks until the 20th of August.
1461.
On the 23rd day of August, 12 lire from Pulisona. On the 14th of
March 1494, Galeazzo came to live with me, agreeing to pay 5 lire a
month for his cost paying on the l4th day of each month.
His father gave me 2 Rhenish florins.
On the l4th of July, I had from Galeazzo 2 Rhenish florins.
1462.
On the 15th day of September Giulio began the lock of my studio
1494.
1463.
Saturday morning the 3rd of August 1504 Jacopo the German came to
live with me in the house, and agreed with me that I should charge
him a carlino a day.
1464.
1511. On the 26th of September Antonio broke his leg; he must rest
40 days.
[Footnote: This note refers possibly to Beltraffio.]
1465.
I left Milan for Rome on the 24th day of September, 1513, with
Giovanni [Footnote 2: _Giovan;_ it is not likely that Leonardo
should have called Giovan' Antonio Beltraffio at one time Giovanni,
as in this note and another time Antonio, as in No. 1464 while in
No. 1458 l. 16 we find _Giovan'Antonio_, and in No. 1436, l.6
_Beltraffio_. Possibly the Giovanni here spoken of is Leonardo's
less known pupil Giovan Pietrino (see No. 1467, 5).], Francesco di
Melzi [Footnote 2,3: _Francesco de' Melzi_ is often mentioned, see
Nos. 1350.], Salai [Footnote 3: _Salai_. See No. 1519 note.],
Lorenzo and il Fanfoia.
[Footnote 4: _Lorenzo_. See No. 1351, l. 10 (p. 408). Amoretti gives
the following note in _Mem. Stor. XXIII:_ 1505. _Martedi--sera a di
14 d'aprile. Venne Lorenzo a stare con mecho: disse essere d'eta
d'anni 17 .. a di 15 del detto aprile ebbi scudi 25 d'oro dal
chamerlingo di Santa Maria nuova._ This, he asserts is derived from
a MS. marked S, in quarto. This MS. seems to have vanished and left
no trace behind; Amoretti himself had not seen it, but copied from a
selection of extracts made by Oltrocchi before the Leonardo MSS.
were conveyed to Paris on the responsibility of the first French
Republic. Lorenzo, by this, must have been born in 1487. The
sculptor Lorenzetto was born in 1490. Amoretti has been led by the
above passage to make the following absurd observations:
_Cotesto Lorenzo, che poi gli fu sempre compagno, almeno sin che
stette in Italia, sarebb' egli Lorenzo Lotto bergamasco? Sappiamo
essere stato questo valente dipintore uno de'bravi scolari del
Vinci_ (?).
_Il Fafoia_, perhaps a nickname. Cesare da Sesto, Leonardo's pupil,
seems to have been in Rome in these years, as we learn from a
drawing by him in the Louvre.
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